Kenka erejii (1966)

Director:

Seijun Suzuki

Writers:

Kaneto Shindô (writer)
Takashi Suzuki (novel)

Release Date:

9 November 1966 (Japan)

Genre:

Action | Comedy | Drama

Plot:

In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter...

Plot Keywords:

School | Delinquent | Based On Novel

Cast

Hideki Takahashi	...	Kiroku Nanbu
Yûsuke Kawazu	...	Suppon "Turtle"
Junko Asano	...	Michiko
Takeshi Katô
Isao Tamagawa	...	Principal
Kayo Matsuo
rest of cast listed alphabetically:
Mitsuo Kataoka	...	Takuan
Hiroshi Midorigawa	...	Ikki Kita
Chikako Miyagi	...	Yoshino Nanbu
Keisuke Noro	...	Kaneda
Seijiro Onda	...	Kiroku's Father
Asao Sano

Also Known As:

Elegy to Violence
Fighting Elegy (USA) (DVD title)
The Born Fighter (USA)

Runtime:

86 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

UK:18 (2006)

Filming Locations:

Japan

Company:

Nikkatsu

WACKY Satire of Repressed, Fascistic Youths

Even though it suffers from acute VBS (Vinnie Barbarino Syndrome, i.e. all the "schoolchildren" are Thirtyish), this tale of burgeoning adolescent sexuality and burgeoning adolescent aggression is both funny and powerful. Directed by Suzuki Seijun [Tokyo Drifter, Branded to Kill] and scripted by Shindo Kaneto [who was in turn the director of Onibaba], Elegy to Violence has a lot more to say about conformity and militarism than allegedly profound films like Teshigihara's Face of Another.

As the young lad torn between swooning adoration for his Catholic girlfriend and the sense of power and purity he finds in paramilitary gangs, Hideki Takahashi overplays marvelously. He is an encyclopedia of twitches and cringing at first, but that gradually gives way to ridiculous hypermachismo as he gets into more and more fights. (or, as the subtitles put it, "scuffles")

Seijun Suzuki shows that he is keenly aware of the absurdity that underlies all of that hyperbolically heroic bloodshed that makes his other films so sublime.

But those of you just looking for your fix of hip 60s cinema won't be disappointed--with cartoonish sound effects, brutal action, stoned continuity, split screens, sudden fits of slapstick worthy of The Knack or Help!, and immortal lines like "Your manhood will cry if you are afraid" and "Oh Michiko, I do not masturbate--I FIGHT!", how can you go wrong?

Watch for the scene in which Our Hero climbs a watch tower to witness a "scuffle" that he himself fomented--an explicit homage to Yojimbo.