| Shôichi Ozawa | ... | Yoshimoto 'Sub' Ogata | |
| Sumiko Sakamoto | ... | Haru Masuda | |
| Masaomi Kondo | ... | Koichi Matsudo | |
| Keiko Sagawa | ... | Keiko Matsudo | |
| Ganjirô Nakamura | ... | Elderly Client | |
| Chôchô Miyako | |||
| Haruo Tanaka | |||
| Shinichi Nakano | |||
| Kô Nishimura | |||
| Ichirô Sugai |
Directed by | |||
| Shôhei Imamura | |||
Writing credits(in alphabetical order) | ||
| Shôhei Imamura | ||
| Akiyuki Nosaka | novel | |
| Koji Numata | ||
Produced by | |||
| Jirô Tomoda | .... | producer | |
Original Music by | |||
| Toshiro Kusunoki | |||
| Toshirô Mayuzumi | |||
Cinematography by | |||
| Shinsaku Himeda | |||
Film Editing by | |||
| Mutsuo Tanji | |||
Art Direction by | |||
| Hiromi Shiozawi | |||
| Ichirô Takada | |||
Sound Department | |||
| Kenichi Benitani | .... | sound recordist | |
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| Fudoh: The New Generation | Woman in the Dunes | Lunacy | Tokyo Godfathers | Kill! |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Japan section |
Saw this film in a wonderful class on Japanese new wave cinema (thanks, Jyotsna). Along with Imamura's "Ballad of Narayama," some of the finest Japanese work I've seen. This film is brilliant in its portrayal of modern voyeurism and its psychological implications. Beyond that though, it stands out as a film preparing us for things to come in the cinema of the 90's. It took pt Anderson's "magnolia" to finally bring full circle some of the innovative qualities of this truly amazing film. Note the merging of the wonderful score and the main character's consciousness at the end of the film. Shocking, sad, and beautiful.