A story that focuses on 24 hours in the life of Pina (Sandra Milo) a 36 year old woman who lives in the country, and her male visitor Adolfo from Rome, who answered a lovely heart's column ... See full summary »
Dora, driven away from her town by malicious gossip following her first love affair, has a series of short-lived adventures until she falls in love with Nino, a small time crook. In Parma, a police officer courts her but she keeps thinking of Nino and makes up her mind to join him. But he has found a new lover.
Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice ... See full summary »
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
Agnese, a 15-year-old Sicilian girl is seduced and impregnated by Peppino, her sister Matilde's fiancé. Soon Vincenzo, Agnese's father, discovers everything. He wants to force Peppino to ... See full summary »
In 2008, the film was selected to enter the list of the 100 Italian films to be saved (100 film italiani da salvare). The list was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". The project was established by the Venice Days ("Giornate degli Autori") in the Venice Film Festival, in collaboration with Cinecittà Holding and with the support of the Ministry of Cultural Heritage. See more »
The Criterion release has been prepared with the loving care we've become accustomed to from this company; if only the film had been more deserving of this fine treatment. It's sub-Fellini: you wait for a scene to develop with a certain verve, excitement--and you're so often let down by the plodding approach of Pietrangeli. This man was no master, take my word for it. The scene between Baggini, Roberto and Cianfanna, meant to be so humiliating for Baggini, comes off, but barely. There's a limpness and a rushed quality in the handling that is surprising in a veteran film maker.
I do enjoy Sandrelli in everything she does but I reserve my praise for her work in The Conformist, where she worked for a master, Bertolucci. As Baggini, Ugo Tognazzi is his usual superb self.
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