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Misunderstood (1967)
"Incompreso (Vita col figlio)" (original title)

 |  Drama  |  26 January 1967 (Italy)
7.9
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Ratings: 7.9/10 from 563 users  
Reviews: 9 user | 4 critic

Andrew's brave front convinces his father that he is unaffected by his mother's death. Playmate and protector of his little brother Miles, he is often blamed when mischief goes wrong. Only ... See full summary »

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(as Leo Benvenuti) , , 3 more credits »
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Cast

Cast overview:
...
Sir John Edward Duncombe
Stefano Colagrande ...
Andrew Duncombe
Simone Giannozzi ...
Miles Duncombe
John Sharp ...
Uncle William 'Will'
Adriana Facchetti ...
Luisa
Anna Maria Nardini ...
Little girl in movie theater
Silla Bettini ...
Judo teacher
Rino Benini ...
Casimirio
...
Miss Judy
Graziella Granata ...
Dora
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Storyline

Andrew's brave front convinces his father that he is unaffected by his mother's death. Playmate and protector of his little brother Miles, he is often blamed when mischief goes wrong. Only when tragedy strikes does his father recognize Andrew's true qualities. Written by Cleo <frede005@maroon.tc.umn.edu>

Plot Summary | Add Synopsis

Taglines:

The needs of a child are often misunderstood.

Genres:

Drama

Certificate:

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Details

Country:

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Language:

Release Date:

26 January 1967 (Italy)  »

Also Known As:

El incomprendido  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)
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Did You Know?

Connections

Referenced in Bad Company (1999) See more »

Soundtracks

Rigoletto
Written by Giuseppe Verdi
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User Reviews

 
It means being human..
26 February 2010 | by (NY) – See all my reviews

Duncombe, cold and distant father, besides UK Consul General in Florence, carelessly applies his stark communicative methods with his first son Andrew after his wife's death, which Andrew had sensed well before his father's disclosure of the sad news.

Duncombe's several duties, which constantly keep him away from the family, force Andrew to look after Miles, his little brother. Andrew valiantly carries on, humoring his spoiled sibling, putting on the apparent front of a strong man, getting himself into a lot of trouble due to Miles' continuous mischiefs.

Unbeknownst to his father, Andrew silently suffers his loss; blame is all Duncombe lays on young Andrew, probably due to his incapacity to deal with such pain himself.

It will be at the end, as often seen in life, that the diplomat will experience his second loss, probably the ultimate one, the one he negligently couldn't prevent. His coldness will eventually hit him during the last moments of Andrew's early, shattered adulthood.

Comencini gives this young man the power to annihilate the lavish and colorful home and surrounding environment, reminding us that once it's too late there's no return. There's perfect synchronicity between the colors/tones/score and the setting of the picture, a rather clear representation of life in Florence during the late 60's where roles, both social and professional were well defined.

Using a term I have commented with for a different movie, we are seeing a positive-negative image of Comencini's Pinocchio, where the father is constantly running after his son, both for loneliness and to keep him out of trouble. I think some of us will agree with the fact that Miles' role somewhat reminds us of the fictional character.

The comment's title has, for the record, its ambivalence.


2 of 2 people found this review helpful.  Was this review helpful to you?

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