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Time Lost and Time Remembered (1966)
"I Was Happy Here" (original title)

 -  Drama  -  July 1966 (UK)
6.8
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Ratings: 6.8/10 from 88 users  
Reviews: 5 user

Cass followed the bright lights to London, but was quickly disillusioned. She met (and married) Doctor Langdon, and soon realised she wanted to return to her home by the sea, and her first love Colin.

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(extract from Antigone), , 2 more credits »
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Title: Time Lost and Time Remembered (1966)

Time Lost and Time Remembered (1966) on IMDb 6.8/10

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Cast

Cast overview:
...
Cass Langdon
...
...
Dr. Matthew Langdon
Sean Caffrey ...
Colin Foley
Maire Keane ...
Barkeeper
Eve Belton ...
Kate
Cardew Robinson ...
Gravedigger
Robert Eddison
Basil Moss
T.R. Bowen ...
(as Trevor Bowen)
Ray Mackin
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Storyline

Cass followed the bright lights to London, but was quickly disillusioned. She met (and married) Doctor Langdon, and soon realised she wanted to return to her home by the sea, and her first love Colin.

Plot Summary | Add Synopsis

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independent film | See All (1) »

Genres:

Drama

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Release Date:

July 1966 (UK)  »

Also Known As:

Time Lost and Time Remembered  »

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Did You Know?

Soundtracks

Shoals Of Herring
(uncredited)
Written by Ewan MacColl
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User Reviews

A polished film. A sweet, melancholic, romantic tale
13 November 2001 | by (Melbourne) – See all my reviews

I enjoyed this film. The black and white photography was very smooth and pleasant. The opening credits were quite impressive too; the photography reminding me distinctively of the TO KILL A MOCKINGBIRD opening. The wind music score that re-appeared throughout the film was quite beautiful as well.

Sarah Miles plays Cass Langdon - a well-mannered free spirit, wanderer-type

  • who, after a fight with her conservative, upper-crust husband, returns


to the sleepy, old Irish seaside township of her birth. Her Londoner, "ordered and settled" husband who "was not brought up in such an Irish bog!" is soon on his way to the village to persuade her to come back away with him. For Cass, this trip back to her homeland is a period of convalescence. Much of the film is spent in flashbacks, remembering her childhood sweetheart Colin, her uneasy marriage with Matthew, and the time she spent abroad in London before meeting him.

For the most part these flashbacks are done without dissolves - which is good, because if used they would most definitely have compromised the artistic nature of the non-linear story telling. There's a very good use of close ups, and the dolly work also helps the photography. It's also good to see no rear projection - particularly in the scenes with the cars or bicycles - which is so prevalent in other British films in the early 60's.


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