| Photos (See all 12 | slideshow) | Videos (see all 5) |
| Audrey Hepburn | ... | Nicole | |
| Peter O'Toole | ... | Simon Dermott | |
| Eli Wallach | ... | Davis Leland | |
| Hugh Griffith | ... | Bonnet | |
| Charles Boyer | ... | DeSolnay | |
| Fernand Gravey | ... | Grammont | |
| Marcel Dalio | ... | Senor Paravideo | |
| Jacques Marin | ... | Chief Guard | |
| Moustache | ... | Guard | |
| Roger Tréville | ... | Auctioneer (as Roger Treville) | |
| Edward Malin | ... | Insurance Clerk (as Eddie Malin) | |
| Bert Bertram | ... | Marcel | |
| rest of cast listed alphabetically: | |||
| Georg Stanford Brown | ... | Waiter (uncredited) | |
| Louise Chevalier | ... | Cleaning Woman (uncredited) | |
| Rémy Longa | ... | Young Man (uncredited) | |
| Jacques Ramade | ... | (uncredited) | |
| Olga Valéry | ... | (uncredited) | |
Directed by | |||
| William Wyler | |||
Writing credits | ||
| George Bradshaw | (story) | |
| Harry Kurnitz | (screenplay) | |
Produced by | |||
| Fred Kohlmar | .... | producer | |
Original Music by | |||
| John Williams | (as Johnny Williams) | ||
Cinematography by | |||
| Charles Lang | (director of photography) | ||
Film Editing by | |||
| Robert Swink | |||
Production Design by | |||
| Alexandre Trauner | (as Alexander Trauner) | ||
Makeup Department | |||
| Alberto De Rossi | .... | makeup artist (as Alberto de Rossi) | |
| Grazia De Rossi | .... | hairdresser (as Grazia de Rossi) | |
| Freddie Williamson | .... | makeup artist (as Frederick Williamson) | |
Production Management | |||
| William Kaplan | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Paul Feyder | .... | assistant director | |
| Robert Swink | .... | second unit director | |
Sound Department | |||
| Joseph de Bretagne | .... | sound | |
| David Dockendorf | .... | sound | |
Stunts | |||
| Gil Delamare | .... | stunt double: Miss Hepburn (uncredited) | |
Camera and Electrical Department | |||
| Vincent Rossell | .... | still photographer (uncredited) | |
Music Department | |||
| James Harbert | .... | orchestrator | |
Other crew | |||
| François Moreuil | .... | production assistant (as Francois Moreuil) | |
| Phill Norman | .... | main title design: Cinefx | |
| Frawley Becker | .... | dialogue coach (uncredited) | |
| Robert Wyler | .... | production assistant (uncredited) | |
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| The Good Thief | Kings & Queen | The Maiden Heist | The Pink Panther 2 | Ocean's Twelve |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Leave aside for the moment the two leads, Audrey Hepburn and Peter O'Toole, both at the very pinnacle of their star power and attractiveness. Leave aside, too, the brilliant support of two comedy masters, Eli Wallach and Hugh Griffith. And the sheen of William Wyler's direction, honed to perfection over a long, award-winning career. And the sparkling dialogue of old-pro scenarist Harry Kurnitz. And the beautiful location photography in that most beautiful of cities, Paris. And John Williams' sprightly score, and the rich production design, and the exquisite costumes, and every other perfectly-executed facet of this gleaming gem of a film. And concentrate on one single moment: in the museum, in the cupboard under the stairs, when Audrey Hepburn's character realizes that Peter O'Toole is going through everything he's going through, including breaking the law even though he's a policeman, simply because he's fallen in love with her. The expression on Hepburn's face is one of those truly sublime moments that make movies what they can be: bigger than life, more real, more joyous, more true. And for that alone we can be grateful that this movie is available for us and our posterity to enjoy.