Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Nicole's father, a legendary art collector, lends his prized Cellini Venus to a prestigious Paris museum. Unfortunately, the Venus was *not* sculpted by Cellini but by Nicole's grandfather. (Her father is a forger as well, but his specialty is paintings.) Before tests can be done which would prove the Venus a fake, Nicole enlists the services of "society burglar" Simon Demott to steal the million dollar statue. Written by
As Dermot is getting the key from the wall, you very briefly see that the corner of the two walls is capped with raised molding, impossible to get by with just a magnet - which is why the scene breaks away and when it returns to the key later it is on the other wall already. See more »
Why don't you wait till you get it home and steal it then? No muss, no fuss, just a nice clean inside job? I'd be happy to offer my services.
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This Movie was one of the best Audrey made - not an easy statement to make since she made so many great ones. "How to steal a million" is not as well known as her early works (Roman Holiday for example) or as well regarded as Breakfast at Tiffany's (Considered her Signature role), but it is far and away her best comedic work.The casting for the movie was very good. from the principals down to the supporting cast. Notice especially the casting of Hugh Griffith as Charles Bonnet in the role of Audrey's (Nicole's) errant but very endearing Papa, The interplay of those two Characters together with her scenes with Peter O'Toole as Simon Dermott (Society Burglar / Private Investigator / Love Interest) secured, to my mind at any rate, the movie's success. In addition, notice also the performances of Jacques Marin and Moustache as the museum security guards. Both of these turned in terrific work in supporting roles as did Charles Boyer in his (all too brief) appearance as the art Dealer DeSolnay. The sole weak point was I believe the casting of Eli Walach for the character of Davis Leland. Though his performance was adequate, he was not the best choice for this character (a role that was originally intended for George C. Scott). In Summary: The casting was wonderful, The characters were believable, Principals were excellent together and the dialog was bright,sophisticated and (did I mention?) FUNNY! Conclusion: This is one my favorite movies. I have watched it repeatedly over the years and it never fails to makes me laugh. So, If you like to laugh and especially if you're a fan of either Audrey or Peter then this movie is a "must-have". I rate it 10 out of 10.
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