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How to Steal a Million (1966)

Approved  |   |  Comedy, Crime, Romance  |  19 August 1966 (UK)
7.6
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Ratings: 7.6/10 from 14,394 users  
Reviews: 86 user | 21 critic

Romantic comedy about a woman who must steal a statue from a Paris museum to help conceal her father's art forgeries, and the man who helps her.

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Cast

Complete credited cast:
...
...
...
Davis Leland
...
Bonnet
...
DeSolnay
Fernand Gravey ...
Grammont
...
Senor Paravideo
Jacques Marin ...
Chief Guard
Moustache ...
Guard
Roger Tréville ...
Auctioneer (as Roger Treville)
Edward Malin ...
Insurance Clerk (as Eddie Malin)
Bert Bertram ...
Marcel
Edit

Storyline

Nicole's father, a legendary art collector, lends his prized Cellini Venus to a prestigious Paris museum. Unfortunately, the Venus was *not* sculpted by Cellini but by Nicole's grandfather. (Her father is a forger as well, but his specialty is paintings.) Before tests can be done which would prove the Venus a fake, Nicole enlists the services of "society burglar" Simon Demott to steal the million dollar statue. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Plot Synopsis

Taglines:

S-S-S-H-H-H-H-H - Meet a couple of smart operators who give a lesson in love and larceny See more »

Genres:

Comedy | Crime | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

19 August 1966 (UK)  »

Also Known As:

How to Steal a Million Dollars and Live Happily Ever After  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The book Nicole is reading in bed ('Hitchcock Magazine: Le Revue du Suspence') is a French version of the 'Alfred Hitchcock Mystery Magazine', first published in 1956. See more »

Goofs

Just after the Cellini Venus has been collected from M. Bonnet's Parisian mansion, Nicole and her father move to the salon and are discussing the tests to detect forgeries and M. Bonnet says to Nicole "the basic trouble with you is that you're honest". As he leans over to her on the sofa, the cigarette he is holding changes from his right hand to his left hand. See more »

Quotes

Nicole Bonnet: I can't drive a stolen car!
Simon Dermott: Same principle, four gears forward, one reverse.
See more »

Connections

Featured in Star Wars: Music by John Williams (1980) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score when the statue is transported to the museum
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

AUDREY THE GREATEST!
22 June 2004 | by (United States) – See all my reviews

Somehow Audrey Hepburn made fluffy romantic caper movies look

like high art. Take this adorable trifle directed by William Wyler

with Audrey looking glorious in her trademark Givenchy clothing.

Audrey could have phone in a performance, but she's totally

enchanting as always, making us overlook the seams in the script.

She's beautifully supported by Peter O'Toole, who never looked

handsomer or more Cary Grant-ish in his life as Simon, the art

expert who gets talked into stealing Audrey's father's statue of the

Cellini Venus back from the museum when it is learned the statue

has to be authenticated for insurance purposes.

Hugh Griffith, as Audrey's father, is a delightful rogue of an art

forger and Charles Boyer and Eli Wallach just add to the fun. The

actual theft of the statue is quite ingenious, if a little too drawn out.

Still, here's two hours of pure enchantment. That Ferrari still looks

good nearly forty years later, and if Audrey was walking down Fifth

Avenue, dressed in Givenchy's stunning creations today, she'd

cause a riot. Check out that lace cocktail dress with the matching

lace mask at the bar of the Ritz in Paris! It doesn't get any chicer

than this.




58 of 72 people found this review helpful.  Was this review helpful to you?

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