District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of ... See full summary »
Detective Guy Johnson's client, Willie Heywood is framed for murder and while Guy hides him so he can catch the real killer, both of them are nabbed by the police, tried, convicted and ... See full summary »
W.S. Van Dyke
The hero of the film is an insurance agent who is also a car thief. He steals cars only from various crooks and never from the good people. Then he sells those stolen cars and gives all the... See full summary »
Nicole's father, a legendary art collector, lends his prized Cellini Venus to a prestigious Paris museum. Unfortunately, the Venus was *not* sculpted by Cellini but by Nicole's grandfather. (Her father is a forger as well, but his specialty is paintings.) Before tests can be done which would prove the Venus a fake, Nicole enlists the services of "society burglar" Simon Demott to steal the million dollar statue. Written by
The police escort vehicles featured in the beginning sequence are as follows: a 1965/66 Citroen DS-21 unmarked police sedan, a 1965 Citroen Type H Police van, and a '65 Citroen H delivery van. The Citroen DS-21 sedan, designed by famed industrial designer Flaminio Bertoni, is a particularly noteworthy addition to this movie as its futuristic and aerodynamic signature concept design, along with its innovative technology - the first mass-produced car to feature front disc brakes - caused the DS to be named "the most beautiful car of all times" by Classic and Sports Car Magazine. See more »
The Venus statue and its silver stand sit on a green marble plinth throughout the film. After the statue is stolen and the guard points at the replacement bottle, the zoomed in shot has the bottle on a white marble plinth See more »
This movie could have been more fun that it is, but I still liked it - Audrey Hepburn, swathed in the height of chic as usual, tries to save her art forger father (the incomparable Hugh Griffith) from exposure as a fake, by stealing a statue of Venus carved by her grandfather for an art exhibition. To help her in this she enlists the help of a society burglar (the young and impossibly blue-eyed Peter O'Toole) and in the course of all this, they fall in love.
It's predictable but enjoyable to watch (and it helps that the two stars are extremely easy on the eye), but with few surprises and some slow moments, it isn't up to William Wyler's better efforts. Really just a one-dimensional story of the 1960s beautiful people, like so many other movies of its time.
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