| Peter Noone | ... | Herman (as Herman's Hermits) | |
| Karl Green | ... | Karl (as Herman's Hermits) | |
| Keith Hopwood | ... | Keith (as Herman's Hermits) | |
| Derek Leckenby | ... | Derek (as Herman's Hermits) | |
| Barry Whitwam | ... | Barry (as Herman's Hermits) | |
| Shelley Fabares | ... | Louisa Page | |
| Sue Ane Langdon | ... | Cecile Bannister | |
| Herbert Anderson | ... | Edward 'Ed' Lindquist | |
| Bernard Fox | ... | Dudley Hawks | |
| Harry Hickox | ... | Grant | |
| Hortense Petra | ... | Mrs. Henrietta Page | |
| Mickey Deems | ... | Publicist | |
| Ray Kellogg | ... | Detective | |
| John Hart | ... | Detective | |
| Phil Arnold | ... | Photographer | |
| rest of cast listed alphabetically: | |||
| Bill Baldwin | ... | Television Newscaster (uncredited) | |
| Robert Nunn | ... | Boy on Airplane (uncredited) | |
| Jeffrey Sayre | ... | Benefit Attendee (uncredited) | |
Directed by | |||
| Arthur Lubin | |||
Writing credits(in alphabetical order) | ||
| Robert E. Kent | (as James B. Gordon) | |
Produced by | |||
| Sam Katzman | .... | producer | |
Original Music by | |||
| Fred Karger | |||
Cinematography by | |||
| Paul Vogel | |||
Film Editing by | |||
| Alex Beaton | |||
| Ben Lewis | |||
Art Direction by | |||
| George W. Davis | |||
| Eddie Imazu | |||
Set Decoration by | |||
| F. Keogh Gleason | |||
| Henry Grace | |||
Makeup Department | |||
| Josephine Ardigo | .... | hair stylist | |
| Don Donaldson | .... | makeup artist | |
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup artist | |
Production Management | |||
| Bobby Stone | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mike Lewis | .... | assistant director | |
| Al Shenberg | .... | assistant director | |
| James Welch | .... | assistant director | |
| Mickey Lewis | .... | assistant director (uncredited) | |
Art Department | |||
| Jerome Graham | .... | props | |
| William Skammes | .... | props | |
Sound Department | |||
| Lambert E. Day | .... | sound | |
| Victor Goode | .... | boom operator | |
| Franklin Milton | .... | sound recordist | |
| Bruce Wright | .... | sound recordist | |
Visual Effects by | |||
| J. McMillan Johnson | .... | special visual effects | |
| Carroll L. Shepphird | .... | special visual effects | |
Camera and Electrical Department | |||
| Howard Bradner | .... | grip | |
| Edward T. Estabrook | .... | still photographer (as Ed Esterbrook) | |
| George Hollister | .... | camera assistant | |
| Bill Shaw | .... | gaffer | |
| Tom Smith | .... | grip | |
| Richard Towers | .... | camera operator | |
Costume and Wardrobe Department | |||
| Vicki Nichols | .... | wardrobe | |
| Gene Ostler | .... | wardrobe | |
Music Department | |||
| Bill Stafford | .... | orchestrator (uncredited) | |
| Jack Stern | .... | orchestrator (uncredited) | |
Other crew | |||
| Vincent Chase | .... | dialogue coach | |
| Jerome F. Katzman | .... | assistant to producer | |
| Pearl Leiter | .... | script supervisor | |
| Wilda Taylor | .... | choreographer | |
| Recent Posts (updated daily) | User |
|---|---|
| Where can I find this movie? | maryprankstervintage |
| Soundtrack | bconley-2 |
| Sue Ane's magic skirt | Phyg_LeGuy |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb USA section |
I found Hold On to be fascinatingly inappropriate. The filmmakers obviously wanted to cash in on the British Invasion and the success of the Beatles movies, but they clearly were totally out of touch with the youth culture of the time. They made a movie in 1966 starring one of the most popular groups of the 60s, and everything about the film screams the 50s: the writing, the direction, even the incidental music on the soundtrack. I don't blame Arthur Lubin, who was 65 years old at the time and a veteran of 1940s and 1950s films and 1950s and 1960s TV shows. That's exactly what Hold On reminds me of: a peculiar blend of a 1950s movie and a 1960s TV show. It has the look, the sound, even the feel. The producers should have hired someone who had a better feel for the pop music culture of the 1960s. Imagine the Beatles dropped in the middle of a beach party movie, or a Rock Hudson/Doris Day film. Except, of course, the Beatles could act.