When 5 allied generals are captured in Italy in WW II, it is a propaganda nightmare for the Allies. The generals are all 1 star and refuse to take orders from each other in order to plan an... See full summary »
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and ... See full summary »
Lew Harper is a Los Angeles based private investigator whose marriage to Susan Harper, who he still loves, is ending in imminent divorce since she can't stand being second fiddle to his work, which is always taking him away at the most inopportune of times. His latest client is tough talking and physically disabled Elaine Sampson, who wants him to find her wealthy husband, Ralph Sampson, missing now for twenty-four hours, ever since he disappeared at Van Nuys Airport after having just arrived from Vegas. No one seems to like Ralph, Elaine included. She believes he is cavorting with some woman, which to her would be more a fact than a problem. Harper got the case on the recommendation of the Sampsons' lawyer and Harper's personal friend, milquetoast Albert Graves, who is unrequitedly in love with Sampson's seductive daughter, Miranda Sampson. Miranda, who Harper later states throws herself at anything "pretty in pants", also has a decidedly cold relationship with her stepmother, Elaine... Written by
The character Lew Harper is based on novelist Ross Macdonald's character Lew Archer. The name was changed for the film supposedly because Paul Newman had recently enjoyed success with Hud (1963) and The Hustler (1961) (two of his successful films beginning with the letter "H", a later one after Harper (1966) was 1967's Hombre (1967)) and the producers wanted the movie's title to begin with "H". Also, the Macdonald estate did not want the name "Archer" used in the movie. There may have been fear of legal complications because Macdonald got the name "Archer" in the first place from Miles Archer, Sam Spade's partner who is killed early on in Dashiell Hammett's The Maltese Falcon (1941). See more »
The front license plate on Harper's Porsche changes locations from above the bumper to below in the middle of the opening scene. See more »
Wait a minute, when's your birthday?
[obviously worried by what Harper has just told her]
June 2! June 2! Gemini! Oh, Geminis are supposed to be cold hearted! You're not cold hearted are you, dumpling
[Leering at Fay's ample chest]
Hell no! Why big dawgs is always licking my hands!
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This is very much like a late 1940s film noir, except it's filmed in the mid 1960s. It has that same edgy dialog and feel to it as private eye "Lew Harper" goes looking for a missing man. His character is based on Ross McDonald's best-selling P.I. "Lew Archer."
In "Harper," all the characters are suspicious and they vary from suave "Allan Taggart" (Robert Wagner) to the coquettish late teen "Miranda Sampson" (Pamela Tiffin) to a lawyer "Albert Graves" (Arthur Hill) who's infatuated with the hot teen and also carries a gun. Then there's the overweight has-been entertainer "Fay Esterbrook" (Shelly Winters), the druggie jazz singer "Betty Fraley" (Julie Harris), the New Age scam artist "Claude" (Strother Martin) and a bunch of gangsters and thugs who are the obvious targets. Of them all, I though Winters was the biggest hoot.
Along the way, Newman wins all the verbal bouts but loses the physical contests. He zings everyone with some great put-downs, but takes a physical beating a few times, too. He sports a nice shiner in the last half of the film.
This film will put you smack into the time period, when people danced "The Frug" and referred to cops as "the fuzz." People were starting to wear Beatle-type haircuts, although you'd never find Newman giving in to that counterculture fad. In here, at least, he's old school, tough, relentless and suspicious of everyone......which, at it turns out, is as it should be.
The DVD is now part of the Paul Newman Collection and it's shown with a very sharp 2.35:1 ratio transfer, very much showing off Conrad Hall's cinematography. Johnny Mandel's music score adds to the "coolness" of this film, too.
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