| Yves Montand | ... | Diego Mora | |
| Ingrid Thulin | ... | Marianne | |
| Geneviève Bujold | ... | Nadine Sallanches | |
| Jean Dasté | ... | Le chef du réseau clandestin / Chief | |
| Dominique Rozan | ... | Jude | |
| Jean-François Rémi | ... | Juan | |
| Marie Mergey | ... | Madame Lopez | |
| Michel Piccoli | ... | L'inspecteur des douanes / First Customs Inspector | |
| Anouk Ferjac | ... | Marie Jude | |
| Roland Monod | ... | Antoine | |
| Pierre Decazes | ... | L'employé SNCF / Station Employee | |
| Paul Crauchet | ... | Roberto | |
| Claire Duhamel | ... | La femme du wagon-restaurant / Traveller | |
| Antoine Bourseiller | ... | L'homme du wagon-restaurant / Traveller | |
| Laurence Badie | ... | Bernadette Pluvier | |
| Françoise Bertin | ... | Carmen | |
| Yvette Etiévant | ... | Yvette, la femme de Ramon | |
| Jean Bouise | ... | Ramon | |
| Annie Fargue | ... | Agnès | |
| Gérard Séty | ... | Bill | |
| Catherine de Seynes | ... | Janine | |
| Jacques Rispal | ... | Manolo | |
| Fylgia Zadig | ... | L'hôtesse de la réunion clandestine / Wife of member of the revolutionary group | |
| Pierre Leproux | ... | Le fabricant de faux papiers / Man with White Coat | |
| Roger Pelletier | ... | Un inspecteur / Second Inspector | |
| René-Jean Chauffard | ... | Le clochard / Tramp (as R.J. Chauffar) | |
| Josep Maria Flotats | ... | Miguel (as José-Maria Flotats) | |
| Sissi Kaiser | ... | Une militante espagnole / Lola, Marianne's housemaid | |
| Jean Bolo | ... | Un agent de police / Policeman | |
| Pierre Barbaud | ... | Un client du café | |
| Gérard Lartigau | ... | Le chef du groupe d'action révolutionnaire / Leader of the Revolutionary Group | |
| Jean Laroquette | ... | Un membre du groupe / Member of the Revolutionary Group | |
| Martine Vatel | ... | Une étudiante membre du groupe | |
| Laure Paillette | ... | La vieille dame dans l'escalier (as Paillette) | |
| Jacques Robnard | ... | Pierrot | |
| Marcel Cuvelier | ... | Un inspecteur / Fourth Inspector | |
| Bernard Fresson | ... | André Sarlat | |
| Antoine Vitez | ... | Un employé Pan-am / Pan-Am Employee | |
| Jean-Pierre Kérien | ... | Chardin | |
| Jacques Wallet | ... | Un CRS / CRS Policeman | |
| rest of cast listed alphabetically: | |||
| Lyne Chardonnet | ... | La jolie blonde (uncredited) | |
| Jorge Semprún | ... | Récitant / Narrator (uncredited) | |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Jorge Semprún | ||
Produced by | |||
| Anatole Dauman | .... | producer | |
| Gisèle Rebillon | .... | producer | |
| Catherine Winter | .... | producer | |
Original Music by | |||
| Giovanni Fusco | |||
Cinematography by | |||
| Sacha Vierny | |||
Film Editing by | |||
| Eric Pluet | |||
| Ziva Postec | |||
Production Design by | |||
| Jacques Saulnier | |||
Costume Design by | |||
| Madeleine Lafon | |||
| Marie Martine | |||
Makeup Department | |||
| Alexandre Marcus | .... | makeup artist | |
| Éliane Marcus | .... | makeup artist | |
Production Management | |||
| Alain Quefféléan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jacques Leon | .... | assistant director | |
| Florence Malraux | .... | assistant director | |
Art Department | |||
| Jean-Jacques Caziot | .... | assistant set designer | |
| Louis Charpeaux | .... | props | |
| Charles Merangel | .... | set designer | |
Sound Department | |||
| Antoine Bonfanti | .... | sound | |
| Robert Cambourakis | .... | assistant sound | |
| Urbain Loiseau | .... | assistant sound | |
| Jean Nény | .... | sound mixer | |
Camera and Electrical Department | |||
| Robert Alliel | .... | assistant camera | |
| Philippe Brun | .... | camera operator | |
| Yves Laurent | .... | chief electrician | |
| Pierre Li | .... | assistant camera | |
Editorial Department | |||
| Hadassa Misrahi | .... | assistant editor | |
Other crew | |||
| Blanche Cochet | .... | production secretary | |
| Odette Hainsselin | .... | accountant | |
| Georges Houssage | .... | exterior production | |
| Louis Lliberia | .... | production department | |
| Jean Pieuchot | .... | production department | |
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| Persepolis | El diputado | The Best of Youth | Munich | The Battle of Algiers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
"La Guerre est Finie" aka The War is Over (1966) from French master Alain Resnais, is a taut intellectual yet very much visual thriller. Yves Montand is in his mature prime, and Ingrid Thulin so quietly sensual, while Geneviève Bujold gave an impressive debut performance. Resnais' creative cinematic approach in rich visual play mixed with voice-over narration, aptly intensified the suspense. We're literally inside Montand's character Diego's head - thinking with him, seeing through his eyes, having memory tracking along with him in either flash back or flash forward. We feel Thulin's subtle moves as Marianne - a slight turn of her head, gentle extension of her neck, every movement so delicately modest yet sensual in volumes. Bujold's Nadine has such delicious youthful verve befitting the character - she is the exciting accent. Thulin and Bujold each has an intimate segment opposite Montand delivered in Resnais' unique and refreshing points of view. It is cinematic nuance truly savory and appreciation optimal.
Cinematography in black and white by Sacha Vierny is poignantly appropriate - suspense would probably be lessen if delivered in color. Music score by Giovanni Fusco further ensured the distinctive quality of this film. You can tell this is no Hollywood thriller formula. In fact, the film can very well be a character study of Diego or a visual journey through the interplay of character relationships, yet it's suspenseful nonetheless. The beginning segment with veteran actor Michel Piccoli as the shrewd custom inspector questioning Montand's Diego certainly is tense as any other spy thriller yarn.
The war in the title can very well be within Diego: to decide whether to continue this life of 'professional revolutionary' or to start anew a 'normal' life with Marianne. The dilemma also carries over to Marianne: to decide to stay in Paris or love conquers all in pursuit after Diego (to the point of being a matter of life and death, indeed). "The War is Over" may seem complex, but it's actually an easier to follow film than other Resnais endeavors. Give it a try. It's available on DVD. Caution: do ignore the dubbed in English alternative - it would not be the real thing, definitely non-flavorful. Experience the film in French with English subtitles.