A team of six contestants enter the maze, where they take part in a series of tests and challenges across four themed zones in order to win time crystals. Those will determine how long they get within the crystal dome at the finale.
When the St. Trinian's school library is being moved into the new building, the French Mistress (played by Carole Ann Ford) accidentally drops four paperbacks from a pile of books, and the camera zooms in on their covers: The Perfumed Garden, by Cheikh Nefzaoui; Lady Chatterley's Lover, by D.H. Lawrence; The Carpetbaggers, by Harold Robbins; and Fanny Hill, by John Cleland. All four are erotic classics with scandalous reputations, regarded (at the time) as suitable only for men - hence the joke of their being seen in a girls' school. The last three had had recent movie adaptations in Lady Chatterley's Lover (1955), The Carpetbaggers (1964), and Fanny Hill: Memoirs of a Woman of Pleasure (1964); and the D H Lawrence novel had recently been the subject of a sensational criminal trial in London, in 1963, in which the publisher had been prosecuted for obscenity. See more »
In my review of PURE HELL OF ST TRINIANS I mentioned that the comedy is very much dated when watched today . I guess the idea with THE GREAT ST TRINIANS TRAIN ROBBERY was to update it to the 1960s : It references the great train robbery of 1964 ( Interesting to note the connection with THUNDERBALL ) , it mentions " a new Labour government correcting the mismangement of 13 years of Tory misrule " and the movie is shot in colour with a new title tune . However despite these attempts to make it accessible to a cinema audience in 1966 ( Who would have gone to the cinema to watch a black and white movie ? ) this film suffers from the other failings of the series - it's badly plotted with characters and situations coming and going with little focus . like the other movies featuring the pupils from hell there is little screen time given to the eponymous girl pupils who seem to be there as a plot device more than anything else and even in 1966 native audiences would have probably found the parochial humour too British when compared to American financed Brit productions like DR NO , ZULU and ALFIE thereby dating this movie as soon as it came out
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