A RAF Bomber is shot down over Paris by the Germans. Its crew (Terry Thomas as a flight captain) land there by parachute. With the help of some French civilians (Louis De Funès in the role ... See full summary »
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A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
René Artois runs a small café in France during World War II. He always seems to have his hands full: He's having affairs with most of his waitresses, he's keeping his wife happy, he's ... See full summary »
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
A RAF Bomber is shot down over Paris by the Germans. Its crew (Terry Thomas as a flight captain) land there by parachute. With the help of some French civilians (Louis De Funès in the role of a conductor and Bourvil as a house painter) they try to escape over the demarcation line into the southern part of France, still not occupied by the Germans. Written by
Gerard Bader <email@example.com>
Louis de Funès (Stanislas) is viewed playing the piano when he is at the Paris Opera House. In reality, during World War II, de Funès played the piano in bars in Paris during the occupation. See more »
The RAF bomber Terry-Thomas and crew are flying is mostly a B-17 Flying Fortress. This is highly unlikely, as the RAF mainly flew Lancasters, Halifaxes and, earlier on, Stirlings. See more »
Why is this movie so funny? And why is it universally judged to be so by people who don't understand French culture? I have asked myself this question while watching it for the Nth time and while asking myself why most Hollywood 'comedies' made today are not funny at all. I believe that the answer is that the basis of all comedy is to make fun of someone. Here, fun is made of sexual stereotypes, of the British, of the French and, most of all, of the Germans, Nazis in this case. Hollywood has become so politically-correct that it now only dares make fun of a WASP male in a business suit, and of no one else. Take the case of 'The Birdcage', a remake of the French comedy 'La cage aux folles' made some 20 years earlier. Being bilingual, I can testify that the original version is immensely more funny than the Hollywood remake. That is because the Hollywood bean-counters, who like to pass themselves off as artistic decision-makers, toned down most of the fun that had been made of homosexuals in the original movie. Ask Shakespeare or Moliere: the play or movie will be funny only if it pokes cruel fun at someone, provided it is not at you. Sorry for the politically-incorrect opinion.
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