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Grand Prix (1966)

 -  Drama | Sport  -  21 December 1966 (USA)
7.1
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Ratings: 7.1/10 from 4,763 users  
Reviews: 98 user | 34 critic

American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard. While Stoddard struggles to recover, ... See full summary »

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(screen story), (screenplay), 2 more credits »
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Title: Grand Prix (1966)

Grand Prix (1966) on IMDb 7.1/10

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Won 3 Oscars. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Louise Frederickson
...
Jean-Pierre Sarti
...
Brian Bedford ...
Scott Stoddard
...
Pat
Antonio Sabato ...
Nino Barlini
Françoise Hardy ...
Lisa
...
Agostini Manetta
Claude Dauphin ...
Hugo Simon
Enzo Fiermonte ...
Guido
...
Monique Delvaux-Sarti
Jack Watson ...
Jeff Jordan
Donald O'Brien ...
Wallace Bennett (as Donal O'Brien)
Jean Michaud ...
Children's Father
Edit

Storyline

American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard. While Stoddard struggles to recover, Aron begins to drive for the Japanese Yamura team, and becomes romantically involved with Stoddard's estranged wife. Written by Damian Penny <g0mb@unb.ca>

Plot Summary | Plot Synopsis

Genres:

Drama | Sport

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Release Date:

21 December 1966 (USA)  »

Also Known As:

Grand Prix  »

Box Office

Budget:

$9,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.20 : 1
See  »
Edit

Did You Know?

Trivia

In the scene at the reception after Sarti wins at Monaco, Hugo comments that Sarti can now talk to kings. Sarti replies that so can any man, but will the kings listen? Or something to that effect. This is an obvious paraphrase of a famous part of Shakespeare's Henry IV, Part I, Act III, Scene i, lines 53-55: Welshman Owen Glendower: "I can call spirits from the vasty deep." Harry Hotspur: "Why, so can I, or so can any man. But will they come when you do call for them?" See more »

Goofs

During the Brands Hatch race, Phil Hill and Yamura are watching the action on track from the pit lane. They face the part of the circuit behind the pit lane. Pete Aron's car has developed a fault and Phil Hill shouts, noticing that Aron's car is leaking fuel. The cars continue around the circuit and come onto the pit-straight. Aron's car is now on fire. Phil Hill now proclaims 'it's on fire!' but he is still in the viewpoint that he was before, meaning that he would've been looking in completely the wrong direction and would not have seen the flaming car from that precise point. See more »

Quotes

Izo Yamura: Why do you drive racing cars, or do you not think about it?
Pete Aron: Oh, Mr. Yamura, I don't think there's one of us who doesn't ask himself at least once in the middle of a race, "What the hell am I doing here?" Of course, when it's over, we conveniently forget that we asked ourselves that question. I think about it and a lot of reasons I don't know. Maybe to do something that brings you so close to the possibility of death and to survive it is to feel life and living so much more intensely.
See more »

Connections

Edited into Bass on Titles (1977) See more »

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User Reviews

a period piece-- but of a great period
17 January 2000 | by (Toronto, Ont.) – See all my reviews

It's hard to rate this film. Its got a soap opera plot pasted on to some really fine cinematography, editing, music and racing sequences. The real stars of this film are the cars, the beautiful F1 'cigar' cars of the 60's with their exposed engines and elegant lines. Within a handful of years aerodynamics and advertising would change the look of racing forever. Even the plot hints at the change taking place at the time-- from the gentlemen's league of the 50's to the ravenously commercial and brutally competitive environment that Formula 1 was to become. Frankenheimer followed the tour through a season, to the storied old tracks such as Nurburgring, Spa and Monza (before safety and television considerations changed them to much shorter, less idiosyncratic shadows of their former selves). There are cameos by Graham Hill, Bruce McLaren, Jim Clark and Lorenzo Bandini, names tinged with tragedy in retrospect. Technically this film is quite an achievement. Many of its developments, however, did not really take, such a multiple images, and the splicing of soft music to intense action scenes. The film, then, is not one of great importance in movie history. But there are a lot of racing fans who hold a special, if not top, place for Grand Prix in their lists of favourite films.


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