38 user 23 critic

The Glass Bottom Boat (1966)

Approved | | Comedy, Romance | 9 June 1966 (USA)
2:46 | Trailer

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After a series of misunderstandings, the head of an aerospace research laboratory begins to suspect his new girlfriend is a Russian spy.



1 nomination. See more awards »



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Complete credited cast:
Julius Pritter (as Dom De Luise)
Elisabeth Fraser ...
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Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters off Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer - only to try and win her affections. However, there's a problem. Bruce's friend General Wallace Bleeker believes that Jennifer is a Russian spy, and he has her placed under surveillance. Then, when Jennifer catches on...Watch Out! Written by Kelly

Plot Summary | Add Synopsis


Under any circumstances you must see the the wildest funniest new day! See more »


Comedy | Romance


Approved | See all certifications »




Release Date:

9 June 1966 (USA)  »

Also Known As:

The Spy in Lace Panties  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Not only does Robert Vaughn (who played "Napoleon Solo" on the TV series The Man from U.N.C.L.E. (1964) appear in a cameo at the party, but there is a snatch of "The Man from U.N.C.L.E." theme heard on the soundtrack when Paul Lynde goes undercover in drag. See more »


Wires are visible in both scenes set in the NASA anti-gravity chamber; first on the test astronaut and, again, when Jennifer accidentally enters the room. See more »


Bruce Templeton: This vault of 10-inch steel plate will open only to the frequency of my own voice repeating this equation: G for gamma, B for beta, A for alpha, Omega for open sesame.
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Spoofs Mata Hari (1931) See more »


Whatever Will Be, Will Be (Que Sera, Sera)
Music and Lyrics by Jay Livingston and Ray Evans
Performed by Doris Day and Arthur Godfrey
See more »

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User Reviews

Will spying spoil Mermaid Hunter?
21 May 2004 | by See all my reviews

This film has its moments of great screwball comedy, and Tashlin seems to keep alive the finesse and sophistication of a Hawks, McCarey or LaCava. The story built around the attraction between two opposite individuals never reach the sublime heights of `Bringing up Baby' –needles to say, Taylor and Day aren't Grant and Hepburn-, and it seems that this film greatest problem is not to dare going too far in its craze, as other Tashlin's films like `Rock Hunter' or `Artists and Models' did. Probably the cause is the plot dealing with the cold war, a subject pretty much on the focus at the time. Now and them you feel that the director is doing a sort of journalism through a territory that doesn't suit him as good as Hollywood and its superficiality, for example. But Tashlin always manages to insert his comments about the decadence of American life, a circumstance that not even the fanciest of technology can hide. In his anarchic fashion, Tashlin's films counterpart Douglas Sirk's melodramas. Both are about the same, but the path chosen to express its vision are opposite.

This film has a wonderful use of color, an admirable pacing and a freshness rarely seen in the studio comedies of the time (the singing scene in the boat looks totally improvised). But if Tashlin's background as a cartoonist often contributes to his creative ability to take situations beyond the edge, and to destroy a stiff established order, very seldom this very quality can work against him. And this is what happens with all the bad guys in this film. They are a mere caricature, and one can never feel them as a serious threat. The theme demanded something more serious, and these clumsy amateurs certainly fail.

Anyway, watch the film and sing the title's tune; it'll remain with you for ages.

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