| Photos (See all 16 | slideshow) |
| Shirley MacLaine | ... | Nicole | |
| Michael Caine | ... | Harry | |
| Herbert Lom | ... | Shahbandar | |
| Roger C. Carmel | ... | Ram | |
| Arnold Moss | ... | Abdul | |
| John Abbott | ... | Emile | |
| Richard Angarola | ... | Colonel Salim | |
| Maurice Marsac | ... | Hotel Clerk | |
| rest of cast listed alphabetically: | |||
| Joe Abdullah | ... | Restaurant Manager (uncredited) | |
| Tom Andre | ... | Bellhop (uncredited) | |
| Jan Arvan | ... | Airport Official (uncredited) | |
| Kanan Awni | ... | Arab on Telephone (uncredited) | |
| Paul Bradley | ... | Man in Cafe (uncredited) | |
| Michael Corphan | ... | Man in Black Sedan (uncredited) | |
| Stasa Damascus | ... | Airline Hostess (uncredited) | |
| Noel De Souza | ... | Head Porter (uncredited) | |
| James Lanphier | ... | Garage Attendant (uncredited) | |
| Tanya Lemani | ... | Lighter Fluid Saleswoman (uncredited) | |
| Norman Nazarr | ... | Hawker (uncredited) | |
| Mustapha Pasha | ... | Man in Black Sedan (uncredited) | |
| Ralph Smiley | ... | Airport Official (uncredited) | |
| Juan Talavera | ... | Flamenco Dancer (uncredited) | |
| Vic Tayback | ... | Plainclothes Officer at TWA Counter (uncredited) | |
| Charles Wood | ... | Guard (uncredited) | |
| Than Wyenn | ... | Airport Official (uncredited) | |
Directed by | |||
| Ronald Neame | |||
Writing credits | ||
| Jack Davies | (screenplay) and | |
| Alvin Sargent | (screenplay) | |
| Sidney Carroll | (story) | |
Produced by | |||
| Léo L. Fuchs | .... | producer (as Leo L. Fuchs) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Clifford Stine | (director of photography) | ||
Film Editing by | |||
| Alma Macrorie | |||
Art Direction by | |||
| Alexander Golitzen | |||
| George C. Webb | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
| John McCarthy Jr. | (as John McCarthy) | ||
Costume Design by | |||
| Jean Louis | (gowns designer) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair styles creator: for Miss MacLaine | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Edward Muhl | .... | in charge of production | |
| Hal W. Polaire | .... | unit production manager (as Hal Polaire) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director (as Joseph Kenny) | |
Art Department | |||
| Ward Preston | .... | set designer (uncredited) | |
Sound Department | |||
| Melvin M. Metcalfe Sr. | .... | sound | |
| Waldon O. Watson | .... | sound | |
Camera and Electrical Department | |||
| Robert Willoughby | .... | special still photographer (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
| Maurice Jarre | .... | conductor | |
Other crew | |||
| Leon Charles | .... | dialogue coach | |
| Paul Godkin | .... | choreographer | |
| Phill Norman | .... | titles | |
| Jivan R. Tabibian | .... | technical advisor | |
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| The Score | The Good Thief | The Thomas Crown Affair | Ocean's Eleven | Topkapi |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Michael Caine uses flighty Shirley MacLaine to hopefully steal something from Herbert Lom--the richest man in the world.
That's about all you need to know. This is a fun movie--nothing too serious about it. It's very colorful with some beautiful settings and outfits (get the white dress MacLaine wears). The script is sharp and sometimes very funny. MacLaine is full of life and fun in her role--quite an accomplishment since she has nothing to work with. Caine (a great actor) seems strangely muted in his role. Lom is having a fun time with his part. The comedy mixes very well with the action (MacLaine comes off best) and there are some really neat twists and turns at the end (although I saw the last one coming). This isn't an acting film--just a film to sit back with, turn off your brain and enjoy! Strangely this is pretty unknown--I didn't even now it existed till it turned up on TV unannounced! Well worth catching.