Pseudolus is the laziest slave in Rome and has but one wish, to purchase his freedom. When his master and mistress leave for the day he finds out that the young master has fallen in love with a virgin in the house of Lycus, a slave dealer specializing in beautiful women. Pseudolus concocts a deal in which he will be freed if he can procure the girl for young Hero. Of course, it can't be that simple as everything begins to go wrong. Written by
John Vogel <firstname.lastname@example.org>
When Pseudolus water skis during the final chase, we can tell its a thinner stunt double because his clothes (which fit Zero Mostel so well), are loose. He has too much hair, as well. See more »
That breeder woman, has she been thrown a mate yet?
Alas, she refuses just any slave. She demands to choose.
Choose? She'll breed and like it, like everyone. Well, almost everyone.
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The end credits depict a Roman orgy; however finally an animated character lifts up the MPAA seal which brings an immediate stop to the orgiastic revelry. See more »
I saw this film when I was a young girl (seven or so) and I adored it. When I was about fourteen, I finally got to see the stage production. When I saw the film again, I realized there were some bad choices made. I think the film has many excellent points and some bad points:
-For starters, you couldn't have asked for a better cast. I don't just mean Zero Mostel and Jack Gilford (though both are incredible) but casting Buster Keaton was inspired.
-Very accurate portrayal of ancient Rome (up to a point, of course). The only reason I bring it up is because when I took Latin in high school, we studied ancient Rome and I like the research that went into that for the film.
-The chase scene at the end. That's what I remember laughing at the most as a child.
-Cutting so many songs, specifically "Free" and Hysterium's number (I must say, Jack Gilford was highly underused in this film).
-The direction of most remaining musical numbers and some scenes.
-Changing the character of Dominia. I don't mind it too much (she does get some good lines in there) but I liked having another strong female character aside from Philia.
Now I have nothing against Richard Lester. In fact, I enjoyed his work in A Hard Day's Night and Help! and I think when it comes to those types of films, he does well. I'm just not completely sure if he was right for this film. He treated the songs like music videos, kind of forgetting that in this case, the songs are being used to tell a story, not just for entertainment. We recently watched parts of the film in my Musical Theater History class, and that was one of the point brought up. He tended toward the fast pace/quick edit direction, which I think worked for "Comedy Tonight", but not much else (especially not "Everybody Ought to Have a Maid"). While I disliked some of his direction on "Lovely", I did like that he repeated (more or less) the same direction in the reprise of the song.
I will say, though, when he's good in the film, he's really good. I can't deny there are parts in the film that are incredibly funny, most notably the chariot chase. I am a bit torn about the film. In the long run, I will probably always love the film and watch it when I get the chance, despite its shortcomings. Still, I wouldn't mind a remake of it. And I think we can safely say this isn't the worst film version of a Sondheim show (A Little Night Music anyone?).
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