A Funny Thing Happened on the Way to the Forum (1966)

A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.

Director:

Richard Lester

Writers:

Melvin Frank (screenplay), Michael Pertwee (screenplay),

Stars:

Zero Mostel, Phil Silvers, Buster Keaton

Won 1 Oscar. Another 1 nomination.

Cast

Cast overview, first billed only:
Zero Mostel	...	Pseudolus
Phil Silvers	...	Marcus Lycus
Buster Keaton	...	Erronius
Michael Crawford	...	Hero
Jack Gilford	...	Hysterium
Annette Andre	...	Philia
Michael Hordern	...	Senex
Leon Greene	...	Captain Miles Gloriosus
Roy Kinnear	...	Gladiator Instructor
Alfie Bass	...	Gatekeeper
John Bluthal	...	Roman Chief Guard
Pamela Brown	...	High Priestess
Patricia Jessel	...	Domina
Beatrix Lehmann	...	Domina's Mother
Frank Thornton	...	Roman Sentry

Storyline

Pseudolus is the laziest slave in Rome and has but one wish, to purchase his freedom. When his master and mistress leave for the day he finds out that the young master has fallen in love with a virgin in the house of Lycus, a slave dealer specializing in beautiful women. Pseudolus concocts a deal in which he will be freed if he can procure the girl for young Hero. Of course, it can't be that simple as everything begins to go wrong.

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Plot Keywords:

virgin | freedom | ancient rome | master slave relationship | identity swap | 

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Taglines:

Something for Everyone!

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Genres:

Comedy | Musical

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Certificate:

Approved

Details

Country:

USA UK

Language:

English

Release Date:

16 October 1966 (USA)

Also Known As:

Aptallar sehri

Filming Locations:

Madrid, Spain

Box Office

Budget:

$2,000,000 (estimated)

Company Credits

Production Co:

United Artists, Melvin Frank Production

Technical Specs

Runtime:

99 min

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Every actor who has opened in the role of Pseudolus on Broadway (Zero Mostel, Phil Silvers and Nathan Lane) won a Best Actor Tony for their performance. In addition, Jason Alexander, who performed as Pseudolus in one scene in "Jerome Robbins' Broadway", also won a Tony for Best Actor in a Musical.

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Goofs

Marcus Lycus, while disguised as a woman, reaches for a coin. In doing so, he takes the veil off his face. When he hands the coin to a guard, the veil is instantly covering his face again, even though he is not shown moving the veil.

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Quotes

Hysterium: My father is rolling over in his grave.
Pseudolus: Your father is alive.
Hysterium: This will kill him.

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Crazy Credits

The end credits are animated in the style of Roman frescoes.

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Connections

Referenced in Mystery Science Theater 3000: Catalina Caper (1990)

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Soundtracks

"LOVELY"
Written by Stephen Sondheim
Performed by Annette Andre and Michael Crawford

User Reviews

The Good and the Bad

I saw this film when I was a young girl (seven or so) and I adored it. When I was about fourteen, I finally got to see the stage production. When I saw the film again, I realized there were some bad choices made. I think the film has many excellent points and some bad points:

Good:

-For starters, you couldn't have asked for a better cast. I don't just mean Zero Mostel and Jack Gilford (though both are incredible) but casting Buster Keaton was inspired.

-Very accurate portrayal of ancient Rome (up to a point, of course). The only reason I bring it up is because when I took Latin in high school, we studied ancient Rome and I like the research that went into that for the film.

-The chase scene at the end. That's what I remember laughing at the most as a child.

Bad:

-Cutting so many songs, specifically "Free" and Hysterium's number (I must say, Jack Gilford was highly underused in this film).

-The direction of most remaining musical numbers and some scenes.

-Changing the character of Dominia. I don't mind it too much (she does get some good lines in there) but I liked having another strong female character aside from Philia.

Now I have nothing against Richard Lester. In fact, I enjoyed his work in A Hard Day's Night and Help! and I think when it comes to those types of films, he does well. I'm just not completely sure if he was right for this film. He treated the songs like music videos, kind of forgetting that in this case, the songs are being used to tell a story, not just for entertainment. We recently watched parts of the film in my Musical Theater History class, and that was one of the point brought up. He tended toward the fast pace/quick edit direction, which I think worked for "Comedy Tonight", but not much else (especially not "Everybody Ought to Have a Maid"). While I disliked some of his direction on "Lovely", I did like that he repeated (more or less) the same direction in the reprise of the song.

I will say, though, when he's good in the film, he's really good. I can't deny there are parts in the film that are incredibly funny, most notably the chariot chase. I am a bit torn about the film. In the long run, I will probably always love the film and watch it when I get the chance, despite its shortcomings. Still, I wouldn't mind a remake of it. And I think we can safely say this isn't the worst film version of a Sondheim show (A Little Night Music anyone?).