After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Colonel Stok, a Soviet intelligence officer responsible for security at the Berlin Wall, appears to want to defect but the evidence is contradictory. Stok wants the British to handle his defection and asks for one of their agents, Harry Palmer, to smuggle him out of East Germany. Written by
Dave Jenkins <email@example.com>
Russian soldiers on the east side of the Berlin wall purposely disrupted filming by using mirrors to reflect sunlight into the film cameras. The scene where Harry Palmer walks to Checkpoint Charlie for the first time had to be filmed from a long distance for that reason. See more »
During the border inspection of the hearse, a senior officer hands some documents to a junior who is carrying an AK47 with telescoping stock. In the next shot, the junior is carrying a solid-stock rifle. In the following shot to that, the rifle is once more a telescoping stock. See more »
As some other reviewers have opined, this is the best of the three Harry Palmer movies set in the '60s. Michael Caine's cavalier attitude coupled with his witty, sarcastic banter is most refreshing. All the stodgy bureaucratic types get bum-rushed by Harry Palmer's rapier tongue. His self deprecating humor, especially in some of the scenes with Samantha Steele (Eva Renzi), is refreshing, since she has the pertness and sense of humor to complement those scenes deftly. Similarly, the scenes with Col. Stock show great flashes of sarcastic wit, juxtaposed with attending to the serious Cold War business at hand.
But the more serious fun is the wonderfully executed plot development, interweaving the various characters such as Johnny Vulcan, Col. Stock, Hallam, Ross (the boss), Kreutsmann, Steele, etc. into a menagerie of complicated intrigue. I'll let others offer a plot synopsis: I'll just say the film keeps you guessing and wondering throughout its hour and forty-five minutes. The overall style of mixing mordant anti-establishment humor and complicated intrigue reminds me of a later film, "The Russia House", with Sean Connery, an equally satisfying Cold War drama.
The only knock I have on this film is the sometimes obtrusive sound track, where the trumpets blare much too loudly to proclaim a given dramatic occurrence. Could have been done a little more tastefully.
All in all, a "must see" for Cold War movie fans!
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