After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Colonel Stok, a Soviet intelligence officer responsible for security at the Berlin Wall, appears to want to defect but the evidence is contradictory. Stok wants the British to handle his defection and asks for one of their agents, Harry Palmer, to smuggle him out of East Germany. Written by
Dave Jenkins <email@example.com>
During the border inspection of the hearse, a senior officer hands some documents to a junior who is carrying an AK47 with telescoping stock. In the next shot, the junior is carrying a solid-stock rifle. In the following shot to that, the rifle is once more a telescoping stock. See more »
Oh, by the way, is old Klaus Burger still alive?
Yeah, the forger.
I'd like to run you out of Berlin, Palmer! You and MI5 and the Deuxième Bureau and the CIA and the rest of them. Then I can do my job instead of providing work for every forger, confidence man, thief, and murderer in this town!
Oh, I agree, I agree, I agree. But... is old man Klaus still alive?
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This is my favourite of the three Harry Palmer films (I don't count the 90s remake.) This film is accurately done and goes at a sensible pace however, those people looking for computerised special effects and exploding cars are watching the wrong film.
The plot is really good and makes absolute sense if you follow it closely. There is also the wonderful dry wit between Palmer and his commanding officer.
Palmer: I didn't pick her up; she picked me up.
Ross: Well you'd have to say that to get it on expenses.
Also, you should watch this in widescreen there are some subtle details, which are left out at the edge of the screen. Including the subtle way in which Sam first picks up Harry at the hotel. However, unlike most "Spy" films we are not subjected to the obligatory soft porn sequence.
Listen carefully for the references to Suvorov a Russian general, part of the priceless banter between Palmer and the Russian who wants to defect.
They don't make films like this anymore simply because they don't write books like this anymore. This was Len Deighton and it is first class.
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