A prominent London Psychologist seems to have taken his own life, causing stunned disbelief amongst his colleagues and patients. His teenage daughter refuses to believe it was suicide as ... See full summary »
As a surprise, two horse owners decide to ride their animals themselves in a steeplechase. But Bill Davidson's horse "Admiral" behaves weirdly, and falls hard after an obstacle. Bill dies ... See full summary »
FOUR IN THE MORNING is an unconventional comedy spiked with a touch of magical realism. The show follows four friends in their twenties as they navigate life at the unpredictable, emotional... See full summary »
Macbeth is a daring member of the Scottish military who receives a revelation from three menacing sorceresses that he will someday become the King of Scotland. This information gives him a ... See full summary »
Peter Rayston, has been in and out of prison most of his life. At 30, he is released for the eighth time, after serving a sentence for housebreaking. Immediately, he goes back to his old ... See full summary »
"Four in the Morning" was one of the key British kitchen-sink movies of the sixties and yet today it is virtually unknown and very little seen. It was basically a 'small' picture, (I first saw it on the bottom half of a double-bill with Peter Watkins' "The War Game", telling two stories, both involving young women, and set in London, (whereas most kitchen-sink films were set in the 'grim' North), unfolding over the course of one night. There is a third story of sorts, a kind of documentary in which the body of a young woman is taken from the Thames. Could this be one of the woman we've met in the other stories? The writer/director was Anthony Simmons who, despite living to the age of 93, had a very short career in cinema, (he moved onto television), and the women in question were Ann Lynn and a young Judi Dench who won a BAFTA as Most Promising Newcomer. It's a sad little film with no respite from the gloom and you wonder what audience Simmons had in mind, (when I first saw it there were only two of us in the cinema), and at times it's more in keeping with something made for television though personally I think it's more redolent of something Antonioni might have done, (there are moments when Ann Lynn is a dead ringer for Monica Vitti). Either way, it certainly didn't deserve its fate and it cries out to be seen.
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