In the late 1800's, an army captain tries to tame the open plains of Argentina which are dominated by Indians and bandits. To help do this, the captain brings in a party of women to keep his soldiers happy.
Upper class Americans Noel and Meg Johnson have a twenty-six year old daughter named Clara Johnson. Clara suffered a head injury as a child which resulted in her being mentally disabled. ... See full summary »
Olivia de Havilland,
In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.
Phineas T Barnum and friends finance the first flight to the moon but find the task a little above them. They attempt to blast their rocket into orbit from a massive gun barrel built into ... See full summary »
In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years... See full summary »
The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike... See full summary »
French civilization in the desert. Saganne is of peasant stock, with courage and a forceful will. In 1911, he volunteers and is posted to the Sahara under the aristocratic Colonel Dubreuilh... See full summary »
Stilted Spanish-made adaptation of the ballet libretto "Coppelia", busy on its feet and yet with little personality behind or in front of the camera. In a small village, the curious Dr. Coppelius keeps the townspeople at bay by setting off innocuous explosions; what he's really hiding is a fantastic workshop filled with life-size dolls of his own creation. When intrepid young sweethearts break into the doctor's house, they discover his secret, with the girl impersonating the doctor's latest invention. "Dr. Coppelius" was apparently a labor of love for Ted and Jo Anna Kneeland--he directed, she choreographed the dancing, and they both had a hand in the writing; yet, despite an imaginative art direction and production design, the film seems rather unwieldy, most especially during the dance sequences which are poorly-staged. Barely circulated in the late-1960s, the Kneelands tried for another release in 1976 (using the title "The Mysterious House of Dr. C."), adding horrendous narration and character voice-overs, two animated dream sequences, and songs to explain nearly every bit of human interaction. It's certainly a curio--and a good-looking one, with changing light cues in garish golds, blood reds, mad pinks, and frosty blues--yet the effort is best described as a misfire. ** from ****
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