Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his ... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he ... See full summary »
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Guy Montag is a third generation fireman, who is sworn to protect citizens from dangerous 'anti-social' materials. He proudly serves under Captain Beatty patrolling and destroying anything that would pose a threat to the peace of society.
Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured. Written by
Brian Rathjen <firstname.lastname@example.org>
The title of the movie (and the book) comes from the exact temperature at which paper catches fire, according to a fireman to whom Ray Bradbury posed the question. Actually, this temperature refers to the auto-ignition temperature (the temperature paper burns without being touched to flame), and the exact temperature varies according to the type of paper, it's age, and several other factors. See more »
At the beginning, just before the first book burn, you see a fireman exit the building and putting his gloves in a helmet. Right after it he put's on a fire protected clothing and takes the flame-thrower. That scene is put in reverse.
At one point you see the firemen, who offers the flame-thrower hose, magically jumping cables in his hand. See more »
An Enterprise Vineyard Production. Oskar Werner, Julie Christie... in Fahrenheit four-five-one.
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The beginning credits are spoken instead of written on the screen. See more »
Yes, the movie is slow. Yes, the sets and the costumes are very 60ish and very dated. But it has something to say.
Its depiction of a narcissistic, alienated, superficial, mass media lobotomized culture might ring true for more than a few of us. The movie also shows the fireman's wife as being addicted to downers/uppers. All of the "normal" human relations that are shown in the movie appear to be detached and lacking emotion.
People are not to trouble themselves with unpleasant thoughts or feelings. Hence, the banning of books and literature. They bring up unpleasant, sad, and depressing subjects. They depict too much of life as it actually is. This is troubling to people. Consequently, the government pushes drugs, emotion-free and sanitized sex, and witless mass media. There is more than a little resemblance to our society of the year 2000 and heaven knows what the future will bring.
Oskar Werner is one my favorites, so I'm very prejudiced, but I think he does an excellent job. I think both Truffaut and Werner wanted the audience to see the fireman's partial dehumanization. He recovers much of that humanity as the film progresses. The supporting cast was good, especially the actor who played the fire chief. Julie Christie was good in the film, too, although her self-conscious woodenness or manner bothered me more than Werner's.
Perhaps something less than one of the great films. But it is a very thoughtful film with a lot to say to its audience--although some viewers choose to focus only on its rather dated veneer.
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