Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured. Written by
Brian Rathjen <firstname.lastname@example.org>
Producer Lewis M. Allen said the studio's legal department requested that only books in the public domain be shown burning for fear of being sued by offended authors. Director François Truffaut and Allen ignored the request, believing that anyone would be flattered to have their book included. See more »
After Montag comes out of the first raid to burn the books, the placement of the fire protective clothing (helmet and gloves) are unnatural movements and appear to be a reverse run of film footage. This is further compounded by the fact that he walks backwards to get the flamethrower which has flame entering the nozzle instead of leaving the nozzle. See more »
An Enterprise Vineyard Production. Oskar Werner, Julie Christie... in Fahrenheit four-five-one.
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The beginning credits are spoken instead of written on the screen. See more »
What an amazing film. I've heard of it for a long time, but only just had the opportunity to see it. The story is based on Ray Bradbury's novel of the same name and has been cleverly adapted to film. There are a lot of clever visual clues in this film, and it stands a couple of watches - just to make sure that you pick them all up! Apparently it is Truffaut's first venture into colour film, and this yields quite interesting results, at times quite colourful. If you are expecting a Sci-Fi film - set in a space-like future, with astounding special effects - you will be disappointed, it's not that sort of film. This is a film where a possible set of scenarios - and 'what-ifs' are put forward, and explored by the filmmaker. It is believable and at times makes you think, 'What if this were true?', I fully recommend this film, a great watch.
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