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Fahrenheit 451 (1966)

 -  Drama | Sci-Fi  -  14 November 1966 (USA)
7.2
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Ratings: 7.2/10 from 28,777 users  
Reviews: 163 user | 61 critic

In an oppressive future, a fireman whose duty is to destroy all books begins to question his task.

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Title: Fahrenheit 451 (1966)

Fahrenheit 451 (1966) on IMDb 7.2/10

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Nominated for 1 BAFTA Film Award. Another 2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Anton Diffring ...
Fabian / Headmistress
Jeremy Spenser ...
Man with the Apple
Bee Duffell ...
Book Woman
Alex Scott ...
Book Person: 'The Life of Henry Brulard'
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Storyline

Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured. Written by Brian Rathjen <briguy_52732@yahoo.com>

Plot Summary | Add Synopsis

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Genres:

Drama | Sci-Fi

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

14 November 1966 (USA)  »

Also Known As:

451 градус по Фаренгейту  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

According to producer Lewis M. Allen, it was his last-minute idea to have Julie Christie play both main female roles. Allen says Terence Stamp then withdrew from playing Montag because Stamp felt that with two parts, Christie would overshadow him. See more »

Goofs

When Montag gets in the boat to hide from the flying cops, you can see the rope still tying the boat to the bank. Montag subsequently rows away with out untying it. See more »

Quotes

[first lines]
Announcer: An Enterprise Vineyard Production. Oskar Werner, Julie Christie... in Fahrenheit four-five-one.
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Crazy Credits

The beginning credits are spoken instead of written on the screen. See more »

Connections

Referenced in Watching the Alien (2003) See more »

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User Reviews

 
An Underrated Movie
6 July 2000 | by (Portland, OR) – See all my reviews

Yes, the movie is slow. Yes, the sets and the costumes are very 60ish and very dated. But it has something to say.

Its depiction of a narcissistic, alienated, superficial, mass media lobotomized culture might ring true for more than a few of us. The movie also shows the fireman's wife as being addicted to downers/uppers. All of the "normal" human relations that are shown in the movie appear to be detached and lacking emotion.

People are not to trouble themselves with unpleasant thoughts or feelings. Hence, the banning of books and literature. They bring up unpleasant, sad, and depressing subjects. They depict too much of life as it actually is. This is troubling to people. Consequently, the government pushes drugs, emotion-free and sanitized sex, and witless mass media. There is more than a little resemblance to our society of the year 2000 and heaven knows what the future will bring.

Oskar Werner is one my favorites, so I'm very prejudiced, but I think he does an excellent job. I think both Truffaut and Werner wanted the audience to see the fireman's partial dehumanization. He recovers much of that humanity as the film progresses. The supporting cast was good, especially the actor who played the fire chief. Julie Christie was good in the film, too, although her self-conscious woodenness or manner bothered me more than Werner's.

Perhaps something less than one of the great films. But it is a very thoughtful film with a lot to say to its audience--although some viewers choose to focus only on its rather dated veneer.


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