After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
Dealing with nuclear testing and its long-lasting deadly effects, the story portrays Boy, a young widower living in the desert on a nuclear testing site. Living as a hermit,he waits for the... See full summary »
Ernie Turner is released from a mental hospital and evicted from his apartment. Alienated and indifferent to life, he meets Donna, a beautiful young woman while wandering down the street. Donna takes pity on Ernie despite him being in a terminal state of confusion and the two become involved with each other. Later at a party, Ernie meets a former girlfriend, Gail, and the two resume their previous relationship. For Ernie life is a game, but as he moves between the two women, his fragile mental state declines and his imagined rejections drive him to fantastic and dangerous schemes. Written by
While doing a little research on Canadian cinema, I had the distinct displeasure of sitting through this atrocious film. The Ernie of the title is very possibly the most smug, most obnoxious, most irritating character ever to hit the screen; he runs around sponging off of women who ought to know better, declaring himself a "saint" and talking down to people as if they were four years old. (Of course, he fancies himself a writer despite never having written a sentence.) The lead actor is perfect- too perfect- in the role: he's so convincing that he makes an already annoying character completely intolerable, so much so that I decided I'd rather spend time with Buffalo Bill from "The Silence of the Lambs" than look at his horrible smirk ever again. Unless you're a Leonard Cohen diehard (he has a small scene in which he sings) my advice to you is flee in terror.
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