During the Mahdist insurrection in the Anglo-Egyptian Sudan, veteran colonial private Baker teams up with freshly arrived gentleman Murchison, trying to evacuate from southern Barash the ...
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In colonial Kenya, chief's son believes he must kill another tribe's chief in ancient ritual before he can claim father's throne; district officer and female reporter try to stop him before he breaks colonial law.
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During the Mahdist insurrection in the Anglo-Egyptian Sudan, veteran colonial private Baker teams up with freshly arrived gentleman Murchison, trying to evacuate from southern Barash the emir's daughter Asua and her English governess, Miss Woodville. It's a perilous journey on the Nile and its banks. They must face crocodiles, Arab slavers and a backward Negro tribe they prey on, where king Gondoko's missionary-raised brother Kimrasi saves and joins them. Once in capital Khartum, they find the revolt has reached it and the men join the fight. Written by
Takes place one day after the General Gordon was killed at Khartoum. See more »
Baker is mistaken for a major by Miss Woodville and Murchison as he supposedly is wearing a major's jacket. However the jacket has the three pips of a captain on the epaulets, rather than the crown of a major. See more »
Judging this film forty eight years after release requires some care. In 1964 it pandered to the escapism that cinema goers still relished, echoed days of colonial glory which were rapidly fading and offered a glimpse of the exotic before foreign travel and mass television made it accessible. The core triumvirate of actors, Anthony Quayle, Sylvia Syms and Derek Fowlds are strong supported by child star Jenny Agutter.
Chaos in Sudan is not new to 21st century audiences as Quayle does battle with Dervish hordes from the 19th century. The plot is a formulaic one, Quayle as Private Baker escapes a native assault and helps the upmarket Simms to escape. This provides for chase sequences and encounters with various wild animals including snakes, rhinos and elephants it's pretty much like walking though a zoo.
The problem is that not only is the plot formulaic and laborious, but the sets are studio ones, with excessive use of archive and stock footage (some from The Four Feathers)that require considerable suspension of disbelief. As a drama it fails. As entertainment at the time, it probably did the job. Quayle was a massive star at the time with HMS Defiant, The Guns of Navarone, and Lawrence of Arabia under his belt when he made the film, Sylvia Syms was an established love interest and has had a distinguished career which has lasted till this day, most recently as the Queen Mother in The Queen. Director Nathan Juran had a solid but unspectacular career having some success with sci-fi movies but also trying his hand at Western's and fantasy with Sinbad. There is nothing in his work on this film which is of note.
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