A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a ... See full summary »
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
In Oklahoma in the 1920s, Ruben Flood loses his job as a traveling salesman, when the company goes bankrupt. This adds to his worries at home. His wife Cora is frigid because of trying to ... See full summary »
Amanda Wingfield dominates her children with her faded gentility and exaggerated tales of her Southern belle past. Her son plans escape; her daughter withdraws into a dream world. When a "... See full summary »
An impassive young girl is taken from her suicidal London life, back to her home in North England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity. In HD.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
Following her husband s death, a wife discovers and confronts her husband's lover. Their mutual pain, love, envy and jealousy bring them together in an unexpected emotional and physical ... See full summary »
A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a stranger whom she has picked up in the subway and whom she mocks for wearing the clothes and employing the voice and manners of the conventional white intellectual. The man, who, at first seeing no reason to resist the girl's advances, perceives too late that he is being used by her, drops his "white" disguise, and launches a wild and bitter counterattack on her and on the entire white race. Written by
Strange, allegorical drama about the struck-up-on-the-spot relationship between two passengers in a New York City subway car: a black man (Al Freeman Jr.) and a white woman (Shirley Knight) flirt with each other and engage in adult banter. As they alternately beguile and exasperate each other, their conversation reflects the sexual and racial tensions between them. The film is set entirely in the subway car, making for a claustrophobic atmosphere. Knight overacts some of the time (ok, a LOT of the time), laughing loudly, rolling her eyes, and touching Freeman in places where the NYC Transit Authority would probably prefer its patrons to not be touched, but she's never less than interesting and Freeman's more-subdued performance balances things out (although he gets to deliver a blistering, angry monologue near the end). DUTCHMAN's shocking climax is a disturbing culmination of the provocative racial and social themes presented in the film; the film's hour-long length allows for these ideas to have immediate impact.
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