Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the ... See full summary »
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.
Quincy Drew and his black friend Jason O'Rourke have pulled off every dodge known for conning a well-heeled sucker, but it wasn't until they hit on the old skin game that they started to ... See full summary »
Louis Gossett Jr.,
Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride is ex-scout Jess Remsberg who is trying to track down Ellen Grange, who, having recently been freed from Apache captivity, has mysteriously run off again to rejoin them. Remsberg frees Ellen again and leaves her with the embattled soldiers as he rides off to the fort, not only for help, but to find the man who killed and scalped his Indian wife. Written by
Doug Sederberg <firstname.lastname@example.org>
As James Garner and others descend a rock wall via ropes under a full moon, the men each cast two shadows. See more »
Tell the Major he'll have to wait, I have some unfinished business.
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The United Artists logo is sliced off the screen with a bloody knife, slicing an "X" across the screen, revealing the opening scene. At the end, the same knife slices the live picture away, as (sort of) a fade out. See more »
The first & more watchable of 2 intense Westerns from Ralph Nelson, "Diablo" is one of the starkest examples of the tough, realistic Westerns that became popular in the late 1950s. Professional scout Remsberg (Garner) is out for vengeance on the "civilized" men who butchered his Comanche wife. His quest is interrupted when he's tasked to accompany an Army ammo convoy led by ambitious Lt. McAllister (Travers). Along for the ride are wrangler & ex-sergeant Toller (Poitier), shopkeeper's wife Ellen (Andersson), a former captive of the Apache who's regarded with disgust by her white neighbors, and her embittered husband (Weaver). They're intercepted by a large war party of the same Apaches who once held Ellen captive. As with films of this kind from "The Last Wagon" to "Ulzana's Raid," the male lead is a white man who understands the plight of the Indians, sympathizes with them but nevertheless works for the whites. There's nary a letup in the darkness & intensity. Ellen, the tortured, exploited victim of both sides, is no love interest, while the only humor in the film comes in occasional rueful exchanges among the tough guys. But there's plenty of action in scenes as well-done as any of the period & budget. What makes "Diablo" stand out is the clever, seamless depiction of the strategy as the ambushed convoy spars with the wily, ruthless Apache. It's far more engrossing than almost any war movie, including those with budgets many times larger. Andersson doesn't have much to work with but Garner & Poitier play their tough guys with just the right balance between expression & terseness. Weaver makes the most of his limited opportunity to develop the selfish husband who feels sorrier for himself than his wife over her horrifying torment. "Diablo" delivers action & adventure that never lags, along with a strong dose of historical-social awareness, but it's not the ticket for a light evening's entertainment. Director Nelson plays the colonel commanding the relief force.
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