In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Written by
Michael Lawn <firstname.lastname@example.org>
Punk Rock band Rancid has a song called Django on the album Indestructible, based on this movie. See more »
Modern suburbs can be seen in the distance behind Brother Jonathan in his close-up when he creeps in from the alley. See more »
[preparing to kill Django]
Django, I think you should make a last request! I'll be glad to oblige you any way I can. Start praying if you like, I don't mind. It's a smart thing to do when you know that death is coming for you. How come you haven't you got your burial suit with you? We'll have to leave you to the vultures! So now, begin your prayer...
[shoots a side of Mercedes Zaro's cross]
I can't hear ya!
[reloads and fires]
[reloads and fires twice]
Can you hear THIS?
[...] See more »
This is an awsome Spaghetti Western. This is the original that launched over 70 imitation and non-direct sequels. This film was also the inspiration for Robert Rodriguez's El Mariachi and Desperado. The end shootout in the graveyard is amazing. Also, the feeling of the wind swept mud ridden streets is ever present. I respect anti-heroes of film more than the prefect hero. Django is just as cold if not colder and more relentless than the opponents he takes on and out. The coffin is a great original touch. Also check out THE sequel Django Strikes Again (with Franco Nero) and one of the best Django homage sequels Kill, Django Kill starring Thomas Milian (released by Blue Underground Entertainment). This movie gets two colt winchesters up!!!!
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