Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts ... See full summary »
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't ... See full summary »
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf ... See full summary »
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul... See full summary »
Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
It's 1915. Former gunslinger Django is hired as a movie consultant in Hollywood. There he runs afoul of racketeers, forcing him to flee to a town policed by violent radicals who take influence from Griffith's "Birth of a Nation".
In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Written by
Michael Lawn <email@example.com>
The bartender Nathaniel accompanies the piano-player on the fiddle, but his violin has no bridge; the strings run off the end of the fingerboard and directly to the tailpiece. The most any player could get out of such an arrangement would be a couple of high-pitched squeaks. See more »
I'm glad I made you feel like a real woman - very glad - I mean that.
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As soon as the familiar Spaghetti Western tones hit, you know you're going to be in for a treat and that's what this film certainly is. Franco Nero plays the character that would eventually become synonymous with his name; the mythical Django. The story takes more than it's fair share of influence from Sergio Leone's 'Dollar' trilogy, and the plot of this film is pretty much a re-run of the plot that Leone took from Kurosawa's Yojimbo to make 'A Fistful of Dollars'. We follow the title character, a man that carries his 'burial suit' around with him (that's a coffin to you and me) and saves a young woman from being killed by a group of bandits. When Django takes her back to town, he finds himself in the middle of a feud between those bandits and a group of Mexicans, a situation that he hopes to make the best of for himself...
It's impossible not to see how Leone's westerns have influenced this film. However, Sergio Corbucci hasn't merely stolen and the result is somewhat original. The classically styled score blends well with the images shown on screen, and some of the sequences in the film are truly powerful. Franco Nero may well be no Clint Eastwood, but he brings charm and credibility to his character and does well with the role, even if he is perhaps slightly too pretty to pull it off to the extent that it could have been done to. The film features lots of mud (yes, mud), and this gives it the dirty, downtrodden feel that is congruent with what audiences have come to expect from the spaghetti western sub-genre. The title tune, which is about the central character is very over the top, and almost comes across as being comical; but it's a part of the Django film and like the rest of it; very fun and easy to like. If you like Leone's westerns (and let's face it, who doesn't?), you'll like this.
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