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Django (1966)

Unrated | | Action, Western | December 1966 (USA)
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A coffin-dragging gunfighter and a half-breed prostitute become embroiled in a bitter struggle between two feuding factions - a Klan of Southern racists and a band of Mexican rebels.

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(story), (story) | 8 more credits »
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Cast

Complete credited cast:
...
José Bódalo ...
Gen. Hugo Rodriguez (as José Bodalo)
...
Ángel Álvarez ...
Nathaniel the Bartender (as Angel Alvarez)
...
Brother Jonathan (as Jimmy Douglas)
Simón Arriaga ...
Miguel (as Simon Arriaga)
Giovanni Ivan Scratuglia ...
Klan Member (as Ivan Scratuglia)
Remo De Angelis ...
Ricardo (as Erik Schippers)
Rafael Albaicín ...
Member of Hugo's Gang (as Raphael Albaicin)
José Canalejas ...
Member of Hugo's Gang (as José Canalecas)
Eduardo Fajardo ...
Edit

Storyline

In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Written by Michael Lawn <mlawn@attmail.com>

Plot Summary | Add Synopsis

Taglines:

DJANGO - The title of a film you'll never forget! See more »

Genres:

Action | Western

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

December 1966 (USA)  »

Also Known As:

Jango  »

Filming Locations:

 »

Box Office

Opening Weekend:

$6,150 (USA) (21 December 2012)

Gross:

$25,097 (USA) (1 February 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (censored) | (censored)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The inspiration for Quentin Tarantino's film Django Unchained (2012), although it is not a remake of this film, despite the theme song being used in the opening credits and Franco Nero making a cameo opposite Jamie Foxx's Django. See more »

Goofs

When Django partakes in the robbery of the Mexican Army outpost alongside Hugo and his men, he is at one point shown to fire eight bullets from his six-round revolver without reloading. See more »

Quotes

[last lines]
Maj. Jackson: [preparing to kill Django] Django, I think you should make a last request! I'll be glad to oblige you any way I can. Start praying if you like, I don't mind. It's a smart thing to do when you know that death is coming for you. How come you haven't you got your burial suit with you? We'll have to leave you to the vultures! So now, begin your prayer...
[shoots a side of Mercedes Zaro's cross]
Maj. Jackson: I can't hear ya!
[reloads and fires]
Maj. Jackson: Okay... now!
[reloads and fires twice]
Django: Can you hear THIS?
[...]
See more »

Connections

Referenced in The Best Man Holiday (2013) See more »

Soundtracks

Django (theme)
Lyrics by Franco Migliacci (as Migliacci) and Robert Mellin (uncredited)
Composed by Luis Bacalov (as Enriquez)
Conducted by Bruno Nicolai (uncredited)
Performed by Rocky Roberts
Published by General Music [it]
See more »

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User Reviews

 
Paint your wagon....RED WITH BLOOD!
11 July 2005 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

Sergio Corbucci's "Django", as well as his "The Great Silence" are two massively underrated spaghetti-westerns that co-founded the genre, along with Sergio Leone's Dollars-trilogy. Okay, this no "Once Upon a Time in the West" when it comes to atmosphere or plotting, but it is a magnificently mounted action ride with an utterly cool lead hero and an enormous body count. "Django" remained banned in several countries for a long time because of its explicit, comic-book like violence, and you'll see that this wasn't without reason, as the bad guys get slaughtered by the dozen in a good old-fashioned gunslinger way. The movie opens terrifically, with a sleazy title song and vicious images of a lonely cowboy wandering through the Southern wastelands with a coffin in tow. The man is Django and his coffin contains whatever he requires to fulfill his difficult goal: single-handedly finishing the war between the racist Major Jackson and Mexican bandidos by annihilating them all. Corbucci implements a straightforward, no-nonsense filming style with some great visuals and very creative camera angles. There are some ingenious aspects (Django's act of vengeance with molested hands) as well as some delicious clichés moments (wrestling prostitutes, extended bar fight sequences...). This film may not be a very intellectual form of entertainment, but it sure is fun and produced with a certain degree of class.

Followed by a numberless amount of sequels, rip-offs and wannabes that are hardly worth purchasing. Stick to the original and have a blast!


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