Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts ... See full summary »
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't ... See full summary »
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Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make ... See full summary »
It's 1915. Former gunslinger Django is hired as a movie consultant in Hollywood. There he runs afoul of racketeers, forcing him to flee to a town policed by violent radicals who take influence from Griffith's "Birth of a Nation".
In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Written by
Michael Lawn <email@example.com>
A century ago on the low hills along the border between the southern states and turbulent Mexico, a mystery man appeared... a man with a sad, impenetrable face. Who was that man? What was his secret? See more »
Django (Franco Nero The Fifth Cord, Hitch-Hike) is a gristled man-of-action who strolls the desert dragging his coffin of hell behind him. Django sets up shop one day at the local whorehouse of a veritable ghost town set up between the two warring factions of Major Jackson (Eduardo Fajardo Nightmare City, Oasis of the Zombies) with his red hooded militia and General Hugo (José Bódalo Companeros) with his Mexican ex-patriots. Django's no nonsense style quickly puts him smack in the middle of the fun as secrets are revealed and sides are played against each other.
Sergio Corbucci (Super Fuzz) directs this classic Italian spaghetti western. The script (while being pretty typical of the genre) manages to make Django a classic antihero thanks for the most part to Franco Nero's portrayal. The script's lack of originality doesn't stop it from having some clever set-pieces, nasty violence and even a bit of dark humor (some of my favorite sequences: the clearing of the whorehouse "Don't Touch my coffin", the "ear" scene and the Mexican skeet shoot). The music is wonderful (topped of by a fun theme song sung by someone trying to channel Elvis). The cast of Italian regulars nail their parts with mucho gusto. Any fan of violent westerns Italiano-style should belly up to the bar and give Django's coffin of wonders a watch. But don't mess with it
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