Former gunfighter Django has become a monk and abandoned his violent former ways. His daughter is kidnapped by rogue Hungarian soldiers using slave labor to run a silver mine. Django casts ... See full summary »
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't ... See full summary »
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While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul... See full summary »
It's 1915. Former gunslinger Django is hired as a movie consultant in Hollywood. There he runs afoul of racketeers, forcing him to flee to a town policed by violent radicals who take influence from Griffith's "Birth of a Nation".
In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it? Written by
Michael Lawn <email@example.com>
This is an awsome Spaghetti Western. This is the original that launched over 70 imitation and non-direct sequels. This film was also the inspiration for Robert Rodriguez's El Mariachi and Desperado. The end shootout in the graveyard is amazing. Also, the feeling of the wind swept mud ridden streets is ever present. I respect anti-heroes of film more than the prefect hero. Django is just as cold if not colder and more relentless than the opponents he takes on and out. The coffin is a great original touch. Also check out THE sequel Django Strikes Again (with Franco Nero) and one of the best Django homage sequels Kill, Django Kill starring Thomas Milian (released by Blue Underground Entertainment). This movie gets two colt winchesters up!!!!
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