| Joan Fontaine | ... | Gwen Mayfield | |
| Kay Walsh | ... | Stephanie Bax | |
| Alec McCowen | ... | Alan Bax | |
| Ann Bell | ... | Sally Benson | |
| Ingrid Boulting | ... | Linda Rigg (as Ingrid Brett) | |
| John Collin | ... | Dowsett | |
| Michele Dotrice | ... | Valerie Creek | |
| Gwen Ffrangcon Davies | ... | Granny Rigg (as Gwen Ffrangcon-Davies) | |
| Duncan Lamont | ... | Bob Curd | |
| Leonard Rossiter | ... | Dr. Wallis | |
| Martin Stephens | ... | Ronnie Dowsett | |
| Carmel McSharry | ... | Mrs. Dowsett | |
| Viola Keats | ... | Mrs. Curd | |
| Shelagh Fraser | ... | Mrs. Creek | |
| Bryan Marshall | ... | Tom | |
| rest of cast listed alphabetically: | |||
| Yemi Ajibade | ... | Mark (uncredited) | |
| Kitty Atwood | ... | Mrs. McDowall (uncredited) | |
| John Barrett | ... | Mr. Glass (uncredited) | |
| Roy Desmond | ... | Dancer (uncredited) | |
| Catherine Finn | ... | Nurse (uncredited) | |
| Prudence Hyman | ... | Stephanie's Maid (uncredited) | |
| Lizbeth Kent | ... | First Villager (uncredited) | |
| Artro Morris | ... | Porter (uncredited) | |
| Willie Payne | ... | Adam (uncredited) | |
| Charles Rea | ... | Police Sergeant (uncredited) | |
| Ken Robson | ... | Dancer (uncredited) | |
| Brian Todd | ... | Dancer (uncredited) | |
| Don Vernon | ... | Dancer (uncredited) | |
| Rudolph Walker | ... | Mark (uncredited) | |
| Terry Williams | ... | Dancer (uncredited) | |
Directed by | |||
| Cyril Frankel | |||
Writing credits(in alphabetical order) | ||
| Nigel Kneale | ||
| Norah Lofts | novel "The Devil's Own" (as Peter Curtis) | |
Produced by | |||
| Anthony Nelson Keys | .... | producer | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Arthur Grant | |||
Film Editing by | |||
| Chris Barnes | |||
| James Needs | |||
Casting by | |||
| Irene Lamb | |||
Production Design by | |||
| Bernard Robinson | |||
Art Direction by | |||
| Don Mingaye | |||
Makeup Department | |||
| George Partleton | .... | makeup artist | |
| Frieda Steiger | .... | hair stylist | |
Production Management | |||
| Charles Permane | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Tringham | .... | assistant director | |
| Terence Churcher | .... | second assistant director (uncredited) | |
Sound Department | |||
| Roy Hyde | .... | sound editor | |
| Ken Rawkins | .... | sound recordist | |
| Charles Wheeler | .... | boom operator (uncredited) | |
Stunts | |||
| Peter Diamond | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator (as C.C. Cooney) | |
| David Harcourt | .... | camera operator | |
| Tom Edwards | .... | still photographer (uncredited) | |
| Bob Jordan | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Molly Arbuthnot | .... | wardrobe supervisor | |
| Harry Haynes | .... | wardrobe master | |
Editorial Department | |||
| Tony Lenny | .... | assistant editor (uncredited) | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Anne Deeley | .... | continuity | |
| Denys Palmer | .... | choreographer | |
| Recent Posts (updated daily) | User |
|---|---|
| Tight thriller becomes a bit loose toward the end. | onnanob2 |
| SPOILER question | McArthur2005 |
| The Witches UK DVD release | jamesraeburn2003 |
|
|
|
|
|
| Harry Potter and the Order of the Phoenix | Anne of Avonlea | The Woods | The City of the Dead | The Witches |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Kudos to the multiple other posters who recognize this as a winner! It's hard, indeed, to understand why other Hammer fans ignore this entry, particularly since its script is far more literate than many of their other pictures from the same time frame. In any case, the Hammer production team does a wonderful job here of conveying the small village ambiance and the screenplay follows Norah Loft's novel very closely. What makes this film so distinctive is its understatement--the horror when it emerges is all the more disquieting since everything seems so idyllic.
Miss Fontaine is superb. Note her scene near the beginning when she is questioned about her nervous breakdown during a job interview. She brings to the sequence and its halting tragic dialogue, the same reticent, diffident charm she displayed nearly 30 years earlier when she explained the death of her father to Olivier in "Rebecca." Eerily, these two scenes seem oddly connected despite the passage of time. What a pro she was! All in all, "The Witches" is a star in both Hammer and Miss Fontaine's crown. Recommended.