In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her ... See full summary »
How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to ... See full summary »
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war. Written by
In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie. See more »
In my dreams I used to feel that I was being sucked into a huge hole. Now I feel I'm beng scattered in a thousand pieces. Before, even if it was a slow process, I would wake up all at once. Now I'm afraid there'll be pieces missing.
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Jean-Luc Godard has been known for his intellectual observations and criticisms. This film is no exception, it is one of the director's masterpieces, a film of unique intellect and style, a movie in which feels almost like a documentary with many characters narrating their actions, along with Godard who whispers personal opinions and observations into the camera. The film is miraculous in its acute social observation along with its discussion of almost every facet of Paris life given both a realistic context by Godard and his pseudo-documentary approach and a fictional context by the actors, creating for us a sort of double-sided film of both fact and fiction, of satire and drama, and of love and hate. As with almost all Godard films, subjective to those not familiar with his sense of structure, but an essential viewing for the intellect.
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