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2 ou 3 choses que je sais d'elle (1967)
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Overview
User Rating:
Release Date:
17 March 1967 (France) morePlot:
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her... more | add synopsisUser Comments:
One long puzzle moreUS Showtimes:
(register to personalize)Cast
(Credited cast)| Joseph Gehrard | ... | Monsieur Gérard | |
| Marina Vlady | ... | Juliette Jeanson | |
| Anny Duperey | ... | Marianne | |
| Roger Montsoret | ... | Robert Jeanson | |
| Raoul Lévy | ... | John Bogus, the American | |
| Jean Narboni | ... | Roger | |
| rest of cast listed alphabetically: | |||
| Yves Beneyton | ... | Young man | |
| Juliet Berto | ... | Girl talking to Robert | |
| Helena Bielicic | ... | Girl in Bath | |
| Christophe Bourseiller | ... | Christophe Jeanson | |
| Marie Bourseiller | ... | Solange Jeanson | |
| Marie Cardinal | |||
| Robert Chevassu | ... | Meter reader | |
| Jean-Luc Godard | ... | Narrator (voice) | |
| Blandine Jeanson | ... | Girl | |
| Benjamin Jules-Rosette | ... | Man in basement | |
| Jean-Pierre Laverne | ... | Author | |
| Jean-Patrick Lebel | ... | Pécuchet | |
| Anna Manga | ... | Woman in basement | |
| Claude Miller | ... | Bouvard | |
| Hélène Scott | ... | Girl playing pinball | |
Additional Details
Also Known As:
Deux ou trois choses que je sais d'elle (France) (alternative spelling)Two or Three Things I Know About Her
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Parents Guide:
Add content advisory for parentsRuntime:
87 minCountry:
FranceColor:
Color (Eastmancolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoFilming Locations:
Paris, FranceFun Stuff
Trivia:
In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie. moreQuotes:
Narrator: There is increasing interaction between images and language. One might say that living in society today is almost like living in a vast comic strip. moreSoundtrack:
Quartet no. 16 moreFAQ
What is the 'famous' coffee scene?more
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Discuss this movie with other users on IMDb message board for 2 ou 3 choses que je sais d'elle (1967)| Recent Posts (updated daily) | User |
|---|---|
| Unwatchable. | 35mmdreams |
| I've watched the DVD twice and I still can't find the famous coffee cup | lbb2410 |
| Godard Article | kingfelix23 |
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Okay, hands down: this is quite possibly one of the most boring movies I've ever seen. And I love everything I've seen by Godard till now: I love the madness of "Weekend", the free-spiritedness of "Masculin, féminin", the colours of "Pierrot le fou" and "Le mépris". Supposedly, according to some critics, this one has it all: great cinematography (which, admittedly, it has), great story, great film in and of itself.
Now: the story. What story? There's no story in here. Believe me, I sat for all ninety minutes trying to figure out what the hell was going on. For the most of the time, you either see a woman speaking directly to the camera (and the women look good, but they bore me immensely) or a collage of non-related shots narrated by someone who likes whispering (his whisper actually reminds me of the unseen killer in some of Dario Argento's pictures and it is in fact one of the coolest things about this picture). Nothing in this picture makes it all glue together. I can sort of try to trace a story in here, but it's just a waste of time because even then, the story is about as minimal as it can get, and from what I see, merely an excuse to blabber on about existential and political philosophy. Worthless brouhaha, that's what it is. Nothing ever really happens, and I tried to stay focused till the movie ended when I finally sighed of relief.
These are the same philosophies that Godard introduced in "Alphaville", but when there's only philosophy and not a trace of a good, cohesive plot or a drama, this movie should have been reduced to, and I'm being generous, an essay. That would have been interesting. This isn't. The greatest scene in this picture occurs when the protagonist enters a café and the narrator speaks about cosmos and various other interestingly universal things when Raoul Coutard, Godard's cinematographer, zooms in on the contents of the café visitors' coffee cups. It looks amazing, and the movie should be seen only for this particular scene; the rest is up to you, but I'll pass on this one. It's too heavy, too abstract, it's art, and presumably very intelligent. But it doesn't get me going at all, and it tries to maintain my interest, but fails miserably for the most of the time. Not good.