In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »
Set in the near future, Paula, a leftist writer, goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to... See full summary »
A supposedly idyllic week-end trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more ... See full summary »
Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her ... See full summary »
During the Algerian war for independence from France, a young Frenchman living in Geneva who belongs to a right-wing terrorist group and a young woman who belongs to a left-wing terrorist ... See full summary »
How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to ... See full summary »
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war. Written by
In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie. See more »
I don't know where or when, just that it happened. I have tried all day to recapture the feeling. There was a scent of trees. I was the world, the world was me. A landscape is like a face.
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"I had a dream last night, you know. I was walking all alone at the edge of a cliff. The path was only wide enough for one person. Suddenly I saw two twins walking toward me. I wondered how they would get past. Suddenly one of the twins went towards the other and they became one person. And then I realized that these two people were North and South Vietnam being united." -- Christophe, Juliette's young son
In the opening moments of the film, Godard introduces us--with his famous whispering narration--to Marina Vlady, the actress who will play our protagonist "in a few frames," to paraphrase. He repeats what he says, only a few frames later, this time introducing her as Juliette. This is what cinema is. A movie that isn't completely self-conscious, is little more than a book on film. In addition to Godard's ramblings on such topics as Vietnam, Paris life, and philosophy, Juliette often thinks outloud, speaking directly to the audience, while looking at the camera. We even get the privilege to experience her thoughts first-hand a few times.
"Her," is not Juliette nor Paris, as some theories state, but the cinema. In fact, we learn very little about Juliette or about Paris, as they are both lost behind ridiculous questions with no answers and the result of these questions. Commercialism is a mask for some people, and many scenes suggest lifestyle is becoming more important than life. The final shot of the film shows many household products--such as Tide--scattered in a field. Godard is say we must live together with each other and these objects--as they are all together in the field--which, as he states, sadly live on longer than we do. The more primitive we are, the happier we become, but we are to conditioned to use them, so we must make a compromise on both sides.
But what are the two or three things Godard knows about cinema? Everything there is to know about this young artform. Future filmmakers must take a work of art like this and figure out everything else, because right now we only know two or three things about it.
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