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2 ou 3 choses que je sais d'elle (1967)

Not Rated | | Comedy, Drama | 17 March 1967 (France)
In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »

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Cast

Credited cast:
...
Juliette Jeanson
...
Marianne
Roger Montsoret ...
Robert Jeanson
Raoul Lévy ...
John Bogus, the American
Jean Narboni ...
Roger
Rest of cast listed alphabetically:
Yves Beneyton ...
Young man
...
Girl talking to Robert
Helena Bielicic ...
Girl in Bath
...
Christophe Jeanson
Marie Bourseiller ...
Solange Jeanson
Marie Cardinal
Robert Chevassu ...
Meter reader
Joseph Gehrard ...
Monsieur Gérard
...
Narrator (voice)
Blandine Jeanson ...
Girl
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Storyline

In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war. Written by D.Giddings <darren.giddings@newcastle.ac.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

17 March 1967 (France)  »

Also Known As:

Two or Three Things I Know About Her  »

Filming Locations:


Box Office

Opening Weekend:

$11,214 (USA) (17 November 2006)

Gross:

$101,944 (USA) (27 April 2007)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Robert: People never really talk in films. I'd like to try with you.
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Soundtracks

Quartet no. 16
Written by Ludwig van Beethoven
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Frequently Asked Questions

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User Reviews

 
making sense of the world again
30 March 2000 | by (Dublin) – See all my reviews

There is something sublime about this film; whether it is the perspective, the idea behind the story (from an article about married women living in the new flat buildings of Paris suburbs taking on part-time prostitution) or the often sublime sequencing of events, there is a continuity of thought at work behind it, the continuity of the artist (as film maker, painter, philosopher) at work. The film has elements of meditation, social comment, and faith which seeks not just to analyse or explain what is is to live in this modern world (since, as Godard observed, living in Paris inevitably involves some form of prostitution) - but to put meaning back into it again, to raise ideas and thought about observing this life, to speculate. So the ideas about a superficial love of products (cars, washing powder, magazine) may seem a little dated and old-school post-modernist for us, but how many directors tackle the questions so openly, artistically and honestly, on a multitude of levels all at once? The film is about Godard's eye and mind of course, secretly feeding dialogue directly to his actress with microfone and earpiece (fulfilling Renoir?), as well as fulfilling a cinematic history of boys filming girls. The coffee cup analogy of consciousness emerging, the car wash scene, the tripartite openness of the film, the perspicacity... there is too much to say about this film. If only there were novelists or writers around who could do the same, with such beauty.

rino breebaart


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