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Two or Three Things I Know About Her... (1967)
"2 ou 3 choses que je sais d'elle" (original title)

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Ratings: 7.0/10 from 3,752 users  
Reviews: 19 user | 61 critic

In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and ... See full summary »

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Cast

Credited cast:
Joseph Gehrard ...
Monsieur Gérard
...
Juliette Jeanson
Anny Duperey ...
Marianne
Roger Montsoret ...
Robert Jeanson
Raoul Lévy ...
John Bogus, the American
Jean Narboni ...
Roger
Rest of cast listed alphabetically:
Yves Beneyton ...
Young man
Juliet Berto ...
Girl talking to Robert
Helena Bielicic ...
Girl in Bath
Christophe Bourseiller ...
Christophe Jeanson
Marie Bourseiller ...
Solange Jeanson
Marie Cardinal
Robert Chevassu ...
Meter reader
...
Narrator (voice)
Blandine Jeanson ...
Girl
Edit

Storyline

In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war. Written by D.Giddings <darren.giddings@newcastle.ac.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

17 March 1967 (France)  »

Also Known As:

Two or Three Things I Know About Her  »

Filming Locations:


Box Office

Opening Weekend:

$11,214 (USA) (17 November 2006)

Gross:

$101,944 (USA) (27 April 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie. See more »

Quotes

Christophe: I had a dream last night, you know. I was walking all alone at the edge of a cliff. The path was only wide enough for one person. Suddenly I saw two twins walking toward me. I wondered how they would get past. Suddenly one of the twins went towards the other and they became one person. And then I realized that these two people were North and South Vietnam being united.
See more »

Connections

Referenced in Inside Tito's Trunk (2005) See more »

Soundtracks

Quartet no. 16
Written by Ludwig van Beethoven
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very wonderful piece of visual expression
21 April 2008 | by (Belfast, NI) – See all my reviews

Godard made '2 ou 3 Choses...' more or less at the peak of his creativity. It was also made 'at the same time' as 'Made in USA'. The latter film is, for me, the beginning of the end of Godard as a major contributor to cinema, This, on the other hand, seems to be quite wonderful.

Godard had always been interested in 'prostitution', literally and metaphorically. Here he monumentalises his theme. Juliette Jeanson is a fabulous intensely feminine creation, magnificently played by Marina Vlady. Augmenting her housekeeping money by prostitution as a rather more down-market version of 'Belle de Jour', she muses about her life and its meaning.

This is a film in which it is not the 'plot' or the 'narrative' or even the dialogue that conveys meaning, it is the counterpoint between the images, the dialogue and the situation. This is massively enhanced by the director's use of his own voice as a kind of commentary. 'Shall I speak of Juliette or the leaves on the trees...' etc.

In a way, the film is also an essay on subjectivity and the way that people are treated as objects in certain aspects of capitalism. I hasten to add that I do not swallow Godard's uncritical Marxism, but there is quite enough in this film to make you think long and hard about modern society - today just as much as when it was made.

But the great thing about the film is that it is not just an intellectual exercise, less a piece of unthinking propaganda. It is a film with a heart and Juliette is one of the most lovable female characters in 60s French cinema.

The downside for the here and now is that, of all of the serious films of its era, this is arguably the one that least fits on a television. The Techniscope seems to be the widest image that the cinema allows and trim anything from the edges of Godard's images at your peril. So the trick is to see it in a cinema!


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