IMDb > The Daydreamer (1966)

The Daydreamer (1966) More at IMDbPro »

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Overview

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Director:
Writers:
Hans Christian Andersen (stories)
Romeo Muller (additional dialogue)
(more)
Contact:
View company contact information for The Daydreamer on IMDbPro.
Release Date:
June 1966 (USA) See more »
Genre:
Tagline:
Before the Little Mermaid, there was...
Plot:
An anthology of fairy tales by Hans Christian Andersen: "The Little Mermaid," "The Emperor's New Clothes," "Thumbelina" and "The Garden of Paradise." Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Charming, and here's why: See more (21 total) »

Cast

  (in credits order) (complete, awaiting verification)

Tallulah Bankhead ... The Sea Witch (voice)

Victor Borge ... Zenith (The Second Tailor) (voice)

Patty Duke ... Thumbelina (voice)

Jack Gilford ... Papa Andersen

Sessue Hayakawa ... The Mole (voice)

Margaret Hamilton ... Mrs. Klopplebobbler

Burl Ives ... Father Neptune (voice)

Boris Karloff ... The Rat (voice)

Hayley Mills ... The Little Mermaid (voice)
Paul O'Keefe ... Chris
Cyril Ritchard ... The Sandman (voice)

Terry-Thomas ... Brig. Zachary Zilch (The First Tailor) (voice)

Ed Wynn ... The Emperor (voice)

Ray Bolger ... The Pieman
Robert Harter ... Big Claus
Larry D. Mann (as Larry Mann)
Billie Mae Richards (as Billie Richards)
James Daugherty
William Marine

Robert Goulet ... The Singer (voice)

Directed by
Jules Bass 
 
Writing credits
(in alphabetical order)
Hans Christian Andersen  stories
Romeo Muller  additional dialogue
Arthur Rankin Jr.  written by

Produced by
Joseph E. Levine .... executive producer
Arthur Rankin Jr. .... producer
Larry Roemer .... associate producer
 
Original Music by
Jules Bass 
Maury Laws 
 
Cinematography by
Daniel Cavelli (live action)
Tadahito Mochinaga  (as Tad Mochinaga)
 
Art Direction by
Maurice Gordon 
 
Makeup Department
Phyllis Grens .... makeup artist
 
Production Management
Sal Scoppa Jr. .... production manager (as Sal Scoppa)
 
Second Unit Director or Assistant Director
Kizo Nagashima .... assistant director
 
Art Department
Maurice Gordon .... set designs
 
Sound Department
Bernard Cowan .... recording supervisor
Richard Gramaglia .... sound
Alan Mirchin .... sound
Peter Page .... sound
Eric Tomlinson .... sound
 
Special Effects by
John Hoppe .... effects: Mobilux
 
Music Department
Don Costa .... orchestrator: title song
 
Other crew
Oleg Cassini .... clothes: Emperor
Don Duga .... stager: "Animagic" sequences
Tadahito Mochinaga .... technician: "Animagic" (as Tad Mochinaga)
Tony Mordente .... choreography
Ezra Stone .... stager: live action sequences
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
101 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Trivia:
Was filmed on location at the site of the New York's World Fair, with LaGuardia Airport being so close it caused trouble with the filming because of noise from the planes.See more »
Goofs:
Crew or equipment visible: As the live-action Chris floats downstream in his boat without rowing, the black flippers of a diver propelling the boat from underneath can be seen breaking the water.See more »
Soundtrack:
Who Can TellSee more »

FAQ

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10 out of 12 people found the following review useful.
Charming, and here's why:, 8 September 2000
Author: schwammy from bordeaux, france

"The Daydreamer" is not really an "animated" kiddie film; it's a pretty clever blend of live action and stop-motion puppetry from the people who gave the world "Rudolph the Red-nosed Reindeer" and "Frosty the Snowman." Inventive and ambitious, it makes use of dozens of sets and numerous characters, all of them created from scratch and painstakingly photographed one frame at a time-- something no one today (except Nick Park) would take the trouble to do.

To label this film as "embarrassingly dated" is arrogant and absurd, unless you're willing to pass the same judgment on "King Kong" or "Jason and the Argonauts." Most films are a product of their time. A few are ahead of their time, and those films set the pace for others to follow. But to condemn something from the '60s for not being "Toy Story" is unfair, just as it is unfair for an adult to condemn a movie intended for children.

Apparently an unfortunate result of computer animation is to render much of the history of filmmaking unwatchable because the special effects don't live up to today's standards. It's like kicking away the ladder that got you onto the roof. Today's effects-laden blockbusters would not have been possible--indeed, the film industry itself would not have survived the lean years when television was making inroads--had filmmakers not been willing to "go ahead and tell the story," plowing through budget and technical limitations, doing the best they could with whatever was at hand. To me, using plastic sheeting to achieve the water effects is ingenious. Obviously they couldn't use REAL water in stop-action animation. I challenge anyone to come up with a better solution using 1966 technology.

Of far more importance than technical effects, however, is the effect a film will have on its viewers. Here "The Daydreamer" succeeds brilliantly. Wholesome fare for the current generation of value-starved children, it is to be applauded for its strong ethical stance on the dangers of selfishness and the importance of obedience and loyalty. Far from our present diet of bland postmodern gruel that can come no closer to a moral principle than "have self-esteem, be tolerant and everybody wins," this film teaches that right is right and wrong is wrong, and that actions have serious and often irreversible consequences.

Lament, if you must, the inclusion of so many songs, but again, this picture is a product of its time. '60s moviegoers still had at least a fading appreciation for music--something modern audiences cannot claim (witness the death of the entire musical film genre)--and any children's feature worth its salt was expected to include a smattering of musical numbers. And while the music may be forgettable, the film itself obviously is not -- I saw it ONCE as a small child 25 years ago, and it has remained with me vividly until I saw it again yesterday.

I look forward to the time when my own daughter is old enough to enjoy it as much as I did.

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