Based on a story from the BBC TV serial "Doctor Who". Dr. Who and his companions arrive on Earth in the year 2150 AD, only to discover that the planet has been invaded and its population enslaved by the dreaded Daleks. The time travellers assist human resistance groups to foil the Daleks' plan to mine the Earth's core. Written by
Alexander Lum <firstname.lastname@example.org>
The rebel hideout in 2150 is prominently identified as Embankment station on the London Underground's Bakerloo and Northern Lines. There had actually been a station called Embankment once, but it was renamed in 1914; thus this was a suitable name for a fictional station. However, in 1976, 10 years after the movie was released, reality conformed to fiction when the station, now served by the Bakerloo and Northern Lines among others, was given back its original name of Embankment. See more »
After the saucer attack, there's a long-shot of the wrecked area outside and Tom can be seen creeping down the ramp to hide himself behind a supporting strut. The shot changes to the craft interior, but now Tom is back at the top of the ramp and repeats his movements to the same strut he's previously flattened himself behind. See more »
[over the radio]
Surrender now and you will live. Resist and you will be exterminated. Show yourselves in the streets immediately and obey the orders of your masters, the Daleks!
Obey motorised dustbins? We'll see about that!
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When I first saw this on TV as a kid, I was really taken with the fanciful far-out concepts of a conquered Earth. For a 12 year-old boy into sci-fi, this was and is the ultimate escapist fare. I had no knowledge of the British TV series at the time so my intro to Dr.Who was Peter Cushing (playing older than he is), the movie version of the old-time traditional Doctor. I probably saw this film before the previous one "Dr. Who and the Daleks" as I was puzzled by the Doctor's recognition of his old foes, the unforgettable Daleks. Yes, who can forget those frog-like voices, warped by metallics, usually screaming for the death of humans. The British cast is really keen, especially Cribbins as an out-of-place copper and Andrew Keir as a hobbled resistance fighter. They bring a curious reality to the fantastic setting.
The picture has a decidedly British flavor and, of course, is filmed in the British countryside. Though I didn't reason this out at the time when I was a kid, it had an obviously different taste to it; I was mostly familiar with U.S. low budget sci-fi pics of the '50s and '60s at the time. The scope of the picture seemed really huge back then: London in a destroyed state, humanity decimated. There was that really cool flying saucer, looking fully functional and detailed. And there were the creepy Robo-men, in their slick black bodysuits and far-out helmets, like some futuristic Nazis or space zombies. All of this stuff really just took me over and I couldn't wait for the next time the local TV channels would run it again (not very often, as it happened). Some years later, I realized the title, 2150 AD, sounded cool, but the invasion by the Daleks must have occurred only a few years before the events of this movie, and the dilapidated buildings all looked like they'd been wrecked in the sixties. Ah, no matter. Many years later, I got the DVD and the thrill, tho muted by the long passage of experience and adulthood, is still there. They really knew how to make 'em back then.
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