| Photos (See all 13 | slideshow) |
| Donald Pleasence | ... | George | |
| Françoise Dorléac | ... | Teresa | |
| Lionel Stander | ... | Richard | |
| Jack MacGowran | ... | Albie | |
| Iain Quarrier | ... | Christopher | |
| Geoffrey Sumner | ... | Christopher's Father | |
| Renee Houston | ... | Christopher's Mother | |
| Robert Dorning | ... | Philip Fairweather | |
| Marie Kean | ... | Marion Fairweather | |
| William Franklyn | ... | Cecil | |
| Jacqueline Bisset | ... | Jacqueline (as Jackie Bisset) | |
| Trevor Delaney | ... | Nicholas |
Directed by | |||
| Roman Polanski | |||
Writing credits(in alphabetical order) | ||
| Gérard Brach | (as Gerard Brach) | |
| Roman Polanski | ||
Produced by | |||
| Gene Gutowski | .... | producer | |
| Michael Klinger | .... | producer | |
| Tony Tenser | .... | producer | |
| Sam Waynberg | .... | executive producer | |
Original Music by | |||
| Krzysztof Komeda | (as Komeda) | ||
Cinematography by | |||
| Gilbert Taylor | |||
Film Editing by | |||
| Alastair McIntyre | |||
Casting by | |||
| Maude Spector | |||
Production Design by | |||
| Voytek | |||
Art Direction by | |||
| George Lack | |||
Makeup Department | |||
| Alan Brownie | .... | makeup artist | |
| Joyce James | .... | hair stylist | |
Production Management | |||
| Robert Sterne | .... | production supervisor | |
| Don Weeks | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roger Simons | .... | first assistant director | |
| Ted Sturgis | .... | first assistant director | |
| Stuart Black | .... | second assistant director (uncredited) | |
Art Department | |||
| Alf Pegley | .... | props | |
| Gilbert Wood | .... | scenic artist (uncredited) | |
Sound Department | |||
| David Campling | .... | sound editor | |
| Stephen Dalby | .... | sound supervisor | |
| Gerry Humphreys | .... | dubbing mixer | |
| George Stephenson | .... | sound mixer | |
| Ken Reynolds | .... | boom operator (uncredited) | |
Special Effects by | |||
| Les Bowie | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Roy Ford | .... | camera operator | |
| Jeff Seaholme | .... | camera operator (as Geoffrey Seaholme) | |
| Laurie Turner | .... | still photographer | |
Costume and Wardrobe Department | |||
| Bridget Sellers | .... | wardrober | |
Editorial Department | |||
| Maxine Julius | .... | assistant editor (uncredited) | |
Other crew | |||
| Terry Glinwood | .... | production controller | |
| Michael Klinger | .... | presenter | |
| John Sutro | .... | translator | |
| Tony Tenser | .... | presenter | |
| Dee Vaughan | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Agnes? | terao1002 |
| Cul-de-cac Sux-de-ass | TheCinemator |
| Why The Title? | Honkon |
| It's OK not to like this film | TheCinemator |
| Girl on beach | brittany-beasley |
| I don't get it | visitorq27 |
|
|
|
|
|
| The Stunt Man | Bitter Moon | Bad Timing: A Sensual Obsession | The English Patient | The Departed |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
As 'Cul-de-sac' was Polanski's first movie after his brilliant psychological thriller 'Repulsion' it can't help but be a slight disappointment. Even so, I thought it was an interesting movie and I found it to be much more enjoyable than his next one the totally unfunny spoof 'The Fearless Vampire Killers'. 'Cul-de-sac' is quite difficult to catergorise. In some ways it reminded me of Pinter's 'The Birthday Party' (filmed much later than this but originally staged in the late 1950s), in others of Jack Hill's cult favourite 'Spider Baby' (made earlier but not really released until afterwards), and you could almost see it as prefiguring 'Performance' (old school gangsters meet the new world of the swinging 1960s). But really it quite an odd and unique black comedy. It may not be 100% successful, and it does have a few dull spots, but overall it's worth tracking down if you want to see something different. The main reason it succeeds for me is the unusual location of Lindisfarne, England (which I have visited), and the performances of Donald Pleasence, Francoise Dorleac and Lionel Stander. Pleasence was one of Britain's most underrated character actors, the beautiful and doomed Dorleac had appeared alongside Jean-Paul Belmondo in the entertaining thriller 'That Man From Rio', and Standish, who later appeared in movies by Leone and Spielberg, is best remembered as Max, the craggy manservant on the popular 1980s TV show 'Hart To Hart'. All three are excellent in this movie, and their interaction make it fascinating viewing. The supporting cast also includes Jack MacGowran ('The Exorcist') and an early appearance by 1970s sex symbol Jacqueline Bisset. 'Cul-de-sac' is without a doubt Polanski's most underrated movie, and fans of the unusual and the off beat will enjoy it very much. A DVD with a commentary from Polanski would would be wonderful. Any chance?