Christopher Lee returns as Sax Rohmer's insidious Asian villain Fu Manchu for the second of his five vehicles. This time Fu Manchu and his army of henchmen are kidnaping the daughters of ... See full summary »
Technicolor & tights. In the days of King Henry IV, stalwart young Myles and his sister Meg have been raised as peasants, without any knowledge of who their father really was. But one day ... See full summary »
In medieval Persia, Kashma Baba is a military cadet by day and a roisterer by night. The morning after a rowdy banquet, Kiki, an escaped slave, takes shelter under Kashma's roof. Word comes... See full summary »
Cory, an ambitious Chicago slum kid with a knack for gambling, gets a busboy job at a posh Wisconsin resort...where his real purpose is to gamble with the staff and guests and romance rich ... See full summary »
While hiding from the royal authorities, Jacomo Casanova, the famous romancer, encounters his look-alike: Jacomino, a fugitive petty con man. Meanwhile, the Arabian Caliph and his wife are ... See full summary »
Shot by a jealous husband, Charley falls out a porthole and is lost at sea only to find himself returned as an attractive blond woman. His best friend is staying at his house as he puts ... See full summary »
During the Korean War, Italian nurse Virna Lisi falls in love with two American fliers, Tony Curtis and George C. Scott. Lisi marries Curtis after he convinces her that Scott has been ... See full summary »
France, 1803: 11 years after the Revolution, a royalist underground is led by a new 'Scarlet Pimpernel', the Purple Mask, who rescues nobles in distress and kidnaps Napoleon's officials for... See full summary »
This was a pilot for a period detective program from Warner Bros. entitled "House of Wax", padded out with various gimmicks including the red "fear flash" and "horror horn", several added sequences and guest stars with a larger screen in mind because it was considered too intense at that time for television. See more »
Borrowing a page from the playbook of producers like William Castle, Al Adamson, Nicholson and Arkoff at AIP and the like, this was a lot of fun for me as a kid with the hokey gimmicks of the "Fear Flasher" and the "Horror Horn" added to prevent the more squeamish members of the audience from dying of sheer fright, (the goosebump-inducing voice of the Narrator in the "Instructional" sequence was none other than CANNON himself, William Conrad, who actually directed one of these horror potboilers for Warner's, the Dean Jones/Connie Stevens starrer TWO ON A GUILLOTINE.)
This rehash of the definitely superior HOUSE OF WAX with Vincent Price, gives us the grisly tale of serial strangler Jason Cravette (Patrick O'Neal in a bravura performance), who is finally caught literally red-handed as he ritualistically weds and beds his latest victim, ex mortis.
His subsequent escape and its gory consequences, (he goes from being caught red-handed to losing one of them), becomes the fodder for a sensational museum of mass murderers run by suave local entrepreneur Anthony Draco (Cesare Danova, one of Warner's second-tier matinee idols.) Once worried about operating in the red, soon Draco and his associates, the marvelous Wilfrid Hyde-White and diminuitive sidekick Tun-Tun (the 'Mini-Me' of his day) are back in business, as the slippery Cravette gives our heroes and the local authorities more red than they know what to do with, cutting a vengeful swath through the ranks of all those responsible for his near-incarceration.
Hy Averback keeps all the right balls in the air with a speedy and sure sense of direction, and there's much delightful interplay between the lead characters, especially Danova and Hyde-White. Look closely and not only will you see Tony Curtis in an uncredited cameo, but a baby-faced Wayne Rogers as well, as a very unlucky constable (whom Averback would direct years later in episodes of TV's M*A*S*H...talk about six-degree associations!)
With the lush photography provided by master d.p. Richard Kline, and a score by William Lava that reminds us that he wasn't just at Warner's to provide soundtracks for Bugs Bunny and the Road Runner, this was about as classy as genre-B pics could get for the mid-'60's, not discounting the efforts of A.I.P. with the Price/Poe films. Not available in any medium that I'm aware of, you'll have to keep your eyes peeled on AMC or TNT late night to catch this worthy rarity.
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