| Kirk Douglas | ... | Col. David 'Mickey' Marcus | |
| Senta Berger | ... | Magda Simon | |
| Angie Dickinson | ... | Emma Marcus | |
| James Donald | ... | Maj. Safir | |
| Stathis Giallelis | ... | Ram Oren | |
| Luther Adler | ... | Jacob Zion | |
| Topol | ... | Abou Ibn Kader | |
| Ruth White | ... | Mrs. Chaison | |
| Gordon Jackson | ... | James MacAfee | |
| Michael Hordern | ... | British Ambassador | |
| Allan Cuthbertson | ... | Immigration Officer | |
| Jeremy Kemp | ... | Senior British Officer | |
| Sean Barrett | ... | Junior British Officer | |
| Michael Shillo | ... | Andre Simon | |
| Rina Ganor | ... | Rona | |
| Roland Bartrop | ... | Bert Harrison | |
| Robert Gardett | ... | General Walsh | |
| Michael Balston | ... | 1st Sentry | |
| Claude Aliotti | ... | 2nd Sentry | |
| Samra Dedes | ... | Belly Dancer | |
| Micha Shagrir | ... | Truck Driver (as Michael Shagrir) | |
| Frank Latimore | ... | 1st U.N. Officer (as Frank Lattimore) | |
| Ken Buckle | ... | 2nd U.N. Officer | |
| Rod Dana | ... | Aide to Gen. Randolph (as Rodd Dana) | |
| Robert Ross | ... | Aide to Chief of Staff | |
| Arthur Hansel | ... | Pentagon Officer | |
| Dan Sturkie | ... | Jump Sergeant (as Don Sturkie) | |
| Hillel Rave | ... | Yaakov | |
| Shlomo Hermon | ... | Yussuff | |
| Frank Sinatra | ... | Vince Talmadge | |
| Yul Brynner | ... | Asher Gonen | |
| John Wayne | ... | Gen. Mike Randolph | |
| rest of cast listed alphabetically: | |||
| Vera Dolen | ... | Mrs. Martinson (scenes deleted) | |
| Gary Merrill | ... | Pentagon Chief of Staff (scenes deleted) | |
| Winston Churchill | ... | Himself (archive footage) (uncredited) | |
| Michael Douglas | ... | Jeep Driver (uncredited) | |
| Rudolf Hess | ... | Himself at Nuremberg (archive footage) (uncredited) | |
| Fiorello LaGuardia | ... | Himself (archive footage) (uncredited) | |
| Geoffrey Palmer | ... | David (uncredited) | |
| Danny Perlman | ... | Jeep Driver (uncredited) | |
| Franklin D. Roosevelt | ... | Himself (archive footage) (uncredited) | |
| Jimmy Shaw | ... | Jeep Driver (uncredited) | |
| Joseph Stalin | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Melville Shavelson | |||
Writing credits | ||
| Ted Berkman | (book) | |
| Melville Shavelson | (written for the screen by) | |
Produced by | |||
| Melville Shavelson | .... | producer | |
| Michael Wayne | .... | co-producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Aldo Tonti | (director of photography) | ||
Film Editing by | |||
| Bert Bates | |||
| Gene Ruggiero | |||
Casting by | |||
| Lynn Stalmaster | |||
| Irene Howard | (uncredited) | ||
Production Design by | |||
| Michael Stringer | |||
Art Direction by | |||
| Arrigo Equini | |||
Set Decoration by | |||
| Ferdinando Ruffo | |||
Costume Design by | |||
| Margaret Furse | |||
Makeup Department | |||
| Dave Grayson | .... | makeup artist (as David Grayson) | |
| Vasco Reggiani | .... | hair stylist (as Vasco Regianni) | |
| Euclide Santoli | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| Nate H. Edwards | .... | production manager (as Nate Edwards) | |
| Shlomo Mugrabi | .... | unit production manager: Israel (as Shlomo Mograbi) | |
| Patrick J. Palmer | .... | unit manager | |
| Allen K. Wood | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jack N. Reddish | .... | assistant director (as Jack Reddish) | |
| Jack N. Reddish | .... | second unit director (as Jack Reddish) | |
| Charles R. Scott Jr. | .... | assistant director (as Charles Scott Jr.) | |
| Tim Zinnemann | .... | assistant director | |
Art Department | |||
| Joe LaBella | .... | property master (as Joseph La Bella) | |
| Danny Perlman | .... | assistant property master (uncredited) | |
Sound Department | |||
| David Bowen | .... | sound | |
| Chuck Overhulser | .... | sound editor | |
| Clem Portman | .... | sound re-recordist | |
| Marvin Walowitz | .... | dialogue editor (uncredited) | |
| James D. Young | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Visual Effects by | |||
| Joseph Nathanson | .... | matte artist (as Joseph Natanson) | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Jack Cooper | .... | stunts (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Marko Ya'acobi | .... | camera operator: second unit (as Marco Yakovlevich) | |
| Bob Penn | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Annalisa Nasalli-Rocca | .... | wardrobe supervisor | |
Music Department | |||
| Richard Carruth | .... | music editor | |
| Jack Hayes | .... | orchestrator | |
| Leo Shuken | .... | orchestrator | |
Other crew | |||
| Avraham Leibman | .... | mechanic | |
| Guy Luongo | .... | production coordinator: Italy | |
| Marion Mertes | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
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| Bataan | A Bridge Too Far | The Longest Day | Force 10 from Navarone | The Fighting Seabees |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Excellent cast, intelligent script, heart-warming scenes of loyalty, determination, re-discovered faith, sobering scenes of the cost of freedom, wow! I was completely engrossed watching this film, the story of General David "Mickey" Marcus (Kirk Douglas), who in 1948 became the first Israeli general since Joshua of Biblical times. This film came out when I was 14 and I have somehow missed seeing it all these years. I had no idea what I was missing.
What I don't understand is the grumbling and complaining about what a "bad" film this is. Huh? I loved it! Kirk Douglas, John Wayne, Yul Bryunner, Senta Berger and Frank Sinatra were perfectly cast in their roles. The script covered the highlights of the War of Independence during the brief time time Marcus was involved, and I don't know what more you could expect for a feature film. To tell the story of the war completely and thoroughly would take a miniseries of 20 hours or more. Yes, the special effects look dated now, but you can't fault something because it doesn't use technology that hadn't been invented yet. Also, learning that Senta Berger's character was fictional and apparently only inserted to make a good story, was a disappointment. However, her character was a wonderful metaphor for Marcus' newly found love for Israel and re-discovery of his faith, after living as a secular American Jew for his entire life. (At one point Marcus says he hasn't been to temple since his bar mitzvah).
Also, I must say that I think the person who complained here on IMDb about John Wayne's reaction to seeing the Dachau concentration camp in the World War II flashback is completely off the mark. Wayne, as Pattonesque American general Mike Randolph, struggles to keep his emotions intact as he looks at the horror of the camp his troops have recently liberated. He orders his adjutant to give Marcus whatever he needs to tend to the Dachau survivors and turns away, his back to the camera. He leans against a fence, head down, physically and emotionally overcome. What would you want him to do in such a situation? I suspect the objecting person just doesn't like John Wayne no matter what the film or what his role.
His son Michael Wayne was co-producer with the film's director and screenwriter Mel Shavelson, and Wayne's Batjac Productions is one of four production companies listed. Another reviewer here has cynically suggested most of the budget went to Wayne's salary and I say balderdash! I'm quite sure the Wayne family's interest and participation in this film was not merely financial. I'm equally sure they wanted to help tell this story of the Israeli struggle for freedom they thought the world should hear. Then and now, for that matter.
I want to thank the Showtime networks for airing this film in the USA on May 16, 2009, which happened to be two days after the 61st anniversary of Israeli independence day. Nice touch, and a terrific weekend to see this film.