An American Army officer is recruited by Jews in Palestine to help them form an army. The surrounding Arab countries are opposed to the creation of the state of Israel. He is made commander...
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Director:
Douglas Hickox
Stars:
John Wayne,
Richard Attenborough,
Judy Geeson
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His ship seized by the Chinese Communists, American Merchant Captain Tom Wilder languishes in prison but Chinese villagers help him escape to sail them to Hong-Kong.
An American Army officer is recruited by Jews in Palestine to help them form an army. The surrounding Arab countries are opposed to the creation of the state of Israel. He is made commander of the Israeli forces just before the war begins. Written by
John Vogel <jlvogel@comcast.net>
The poem that Emma quotes whilst dancing with Mickey is "I Have a Rendezvous with Death" by Alan Seeger (1888-1916). See more »
Goofs
In a sequence portraying a night attack of an enemy position, there is a brief cutaway from the action to a shot of Mickey, Asher Gonen, and Magda intently listening to reports from the battle. At the moment the cut to this shot occurs, the slate is visible being withdrawn from the frame, from left to right. In freeze frame, one can even see the title, "Cast A Giant Shadow" printed at the top of the slate. See more »
Quotes
Abou Ibn Kader:
Not familiar with these hills? I was having women in these hills when your father was still sucking milk.
See more »
Crazy Credits
The major events in this film actually happened. Some of them are still happening. The major characters actually lived. Many of them are still living. Although it was not easy. See more »
I don't know why this movie doesn't work, but it doesn't. I guess I'd hold the writers and the actors responsible -- the direction is efficient and the score good.
The script tells us things that most of us already know, without adding much that we didn't. Thankfully it avoid extensive shots of the death camps. If anyone needs to be told about that, he's hopelessly benighted anyway. That mass genocide was perhaps the most horrible expression of the baser impulses of human nature, and like any transcendental event should be treated with caution, not with an eye to the box office.
Still, the dialog is flat and ordinary. Giant closeups of faces telling us important things -- "For the first time, I've realized I'm a Jew" -- doesn't really help. It's like being hit over the head by someone wielding a crowbar and yelling -- "GET IT? GET IT?" Yes, we get it. Stop already.
Kirk Douglas isn't bad. In fact he's pretty good, outdone only by Topol as an Arab sheyk -- "I course your Faddair." Cheese, Topol is good. And so is his role. He plays "The Sheik of Arabie" on a Victrola and rolls his eyes with glee.
John Wayne's performance is perfunctory and so is Frank Sinatra's, but the latter's involvement is interesting. At one point in the film he protests, "Don't leave me alone -- I'm anti-Semitic." Far from being anti-Semitic he was, let's say, pro-Semitic. Like a lot of recent immigrant families in the Northeast his had a keen eye for the strengths and weaknesses of ethnicity, and Sinatra plumped for the strengths in Judaism. He envied and admired Jews for their family values and their solidarity, and even learned to read a little Hebrew. A scene in which he spurts seltzer water at an attacking Arab fighter is beneath comment.
Overall the film is not a success because it doesn't spell out in any detail exactly what Mickey Marcus actually DID for the Israelies. It won't do to have two minutes of Marcus telling them "Attack! Attack!," when ten times that amount is spent on an unconvincing adulterous affair with Senta Berger -- not that having such an affair with such a magnificent woman would be a blot on anyone's escutcheon. (I could never spell that word. It means "shield".) I guess it's worth watching once, just to remind us of a part of history that some of us have not bothered to look into. As a film, (shrug).
14 of 27 people found this review helpful.
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I don't know why this movie doesn't work, but it doesn't. I guess I'd hold the writers and the actors responsible -- the direction is efficient and the score good.
The script tells us things that most of us already know, without adding much that we didn't. Thankfully it avoid extensive shots of the death camps. If anyone needs to be told about that, he's hopelessly benighted anyway. That mass genocide was perhaps the most horrible expression of the baser impulses of human nature, and like any transcendental event should be treated with caution, not with an eye to the box office.
Still, the dialog is flat and ordinary. Giant closeups of faces telling us important things -- "For the first time, I've realized I'm a Jew" -- doesn't really help. It's like being hit over the head by someone wielding a crowbar and yelling -- "GET IT? GET IT?" Yes, we get it. Stop already.
Kirk Douglas isn't bad. In fact he's pretty good, outdone only by Topol as an Arab sheyk -- "I course your Faddair." Cheese, Topol is good. And so is his role. He plays "The Sheik of Arabie" on a Victrola and rolls his eyes with glee.
John Wayne's performance is perfunctory and so is Frank Sinatra's, but the latter's involvement is interesting. At one point in the film he protests, "Don't leave me alone -- I'm anti-Semitic." Far from being anti-Semitic he was, let's say, pro-Semitic. Like a lot of recent immigrant families in the Northeast his had a keen eye for the strengths and weaknesses of ethnicity, and Sinatra plumped for the strengths in Judaism. He envied and admired Jews for their family values and their solidarity, and even learned to read a little Hebrew. A scene in which he spurts seltzer water at an attacking Arab fighter is beneath comment.
Overall the film is not a success because it doesn't spell out in any detail exactly what Mickey Marcus actually DID for the Israelies. It won't do to have two minutes of Marcus telling them "Attack! Attack!," when ten times that amount is spent on an unconvincing adulterous affair with Senta Berger -- not that having such an affair with such a magnificent woman would be a blot on anyone's escutcheon. (I could never spell that word. It means "shield".) I guess it's worth watching once, just to remind us of a part of history that some of us have not bothered to look into. As a film, (shrug).