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Storyline
The sinister Dr Watt has an evil scheme going. He's kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for Dr Watt, Detective-Sergeant Bung is on the case, and he doesn't have a clue! In this send up of the Hammer Horror movies, there are send-ups of all the horror greats from Frankenstein to Dr Jekyl and Mr Hyde. Written by
Simon N. McIntosh-Smith <Simon.N.Smith@cs.cf.ac.uk>
Plot Summary
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Taglines:
Do you believe in ghoulies and ghosts and things that go bump in the night? Do you shudder at the clunking of chains? Cringe from the dull, hollow, mournful moans? . . . Then You'll Carry On Screaming
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Did You Know?
Trivia
Due to illness
Sid James had to pull out of the movie, and so
Harry H. Corbett was drafted in to replace him. Despite this, his character name Sidney Bung, was kept. Sid James's characters on TV and film were very often also called Sid.
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Goofs
When Sergeant Bung wakes up in the bathtub and hits his head on the hot water tank, padding is visible on the bottom of the tank.
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Quotes
Constable Slobotham:
[
Running into the police lab with Albert]
Here sarge, we've got a lead!
Albert:
This note was pushed through my letterbox
[
reading from the note]
Albert:
If you want to know what happened to those girls, I can tell you. I am the cloakroom attendant in the One by the Park and you can see me any time, at my convenience.
[
hands the note to Bung]
Constable Slobotham:
Do you think it's genuine, Sarge?
Det Sgt. Bung:
[
Examining the note]
Interesting notepaper - perforated at both ends. Could be - Come on!
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Crazy Credits
The title page at the beginning of the film shows the year as MCMXVI i.e. 1916.
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Connections
Follows
Carry on Cleo (1964)
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Soundtracks
"Carry on Screaming"
by
Myles Rudge and
Ted Dicks (as Ted Dick)
Sung by
Ray Pilgrim (as Anon)
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This one was my favourite Carry On when a kid, it's one of a few I can force myself to watch nowadays. I think I could stick with Khyber and Cleo but the rest forget it. Throughout the series from '58 to '70 there were some good moments, some ace smart-ass one-liners but a lot of swamp to crawl through, the humour eventually ending up in the gutter from '70 on. I left them all to it there and then.
Harry Corbett and Kenneth Williams have some great lines, in this version of Frankenstein - stealing women to "vitrify" into shop dummies. Williams: "I wish I was dead"; Fielding: "Don't you remember, you are"; Williams: "Oh yes. What a life!" And on and on, knockabout Music Hall and Variety stuff, some original but plenty borrowed from all sources from Abbott and Costello, the Addams Family, Will Hay etc. But in COS it generally works: therefore I admit I must still like it. I wish that Sid James had been in it as well, but I'm glad Barbara Windsor wasn't.
Maybe it's my rose-tinted spectacles kicking in with this one, but why on Earth do the Carry On films generally seem more popular now in the Noughties UK than 30 years ago?