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The Good, the Bad and the Ugly (1966)
"Il buono, il brutto, il cattivo." (original title)

9.0
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Ratings: 9.0/10 from 384,565 users   Metascore: 90/100
Reviews: 714 user | 168 critic | 7 from Metacritic.com

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

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(story), (story), 5 more credits »
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Cast

Cast overview, first billed only:
...
...
...
Aldo Giuffrè ...
Alcoholic Union Captain (as Aldo Giuffre')
...
Rada Rassimov ...
Enzo Petito ...
Claudio Scarchilli ...
Mexican Peon
John Bartha ...
Sheriff (as John Bartho)
Livio Lorenzon ...
Antonio Casale ...
Sandro Scarchilli ...
Mexican Peon
Benito Stefanelli ...
Member of Angel Eyes' Gang
Angelo Novi ...
Monk
Antonio Casas ...
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Storyline

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by Jeremy Thomson

Plot Summary | Plot Synopsis

Plot Keywords:

gold | cemetery | battle | bandit | stagecoach | See more »

Taglines:

The Man with No Name Returns ! See more »

Genres:

Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

23 December 1966 (Italy)  »

Also Known As:

The Good, the Bad and the Ugly  »

Filming Locations:

 »

Box Office

Budget:

$1,200,000 (estimated)

Gross:

$6,100,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (dubbed) | (2003 extended English) | (1984) (cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The prison camp "Betterville" was inspired by the actual Confederate prison camp of Andersonville, where thousands of Union prisoners died, and based on steel engravings of Andersonville from August 1864. See more »

Goofs

When the Sheriff unrolls the wanted poster in Tuco's face the poster clearly has a photograph of very good quality instead of a sketch which seems highly unlikely at the time the film takes place. See more »

Quotes

[first lines]
Stevens: You're... from Baker... Tell Baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared, but if he'd listened, we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more. I can't tell Baker what happened to the money; go back and tell him that!
See more »

Connections

Referenced in Mystery Science Theater 3000: Final Justice (1999) See more »

Soundtracks

The Story Of A Soldier
by Tommie Connor
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Good, the Better, the Best
19 February 2009 | by (India) – See all my reviews

The Good, the Bad and the Ugly or the Good, the Better and the Best, as I prefer calling it, is a bizarrely sublime and a uniquely aesthetic masterpiece. The actors in title roles have given such extraordinarily superb performances, that it would be impertinent and disparaging to merely regard their swell work as acting. In fact their brilliant portrayals have immortalized Blondie, Sentenza/ Angel Eyes and the enigmatic Tuco. Lee Van Cleef is fiendishly unforgiving as the merciless Angel Eyes. Clint Eastwood is rugged yet suave, cocky yet adorable as laconic cigar-smoker Blondie, a role that laid the foundations of his illustrious career. But it is Eli Wallach, who steals the show with his captivating portrayal of Tuco, a portrayal that is as entrancing as it is enlightening. Wallach is amusing, capricious, nonchalant, uncanny and yet tenacious as Tuco, perturbed by his insecurities and dampened by his solitude. It is the tacit amicability between Blondie and Tuco and their mutual hostility towards the evil Angel Eyes owing to the vestiges of virtue present in them, redolent of their moribund morality, which gives the story, the impetus and the characters, a screen presence that is not only awe inspiring but also unparalleled.

Sergio Leone's magnificent and ingenious direction in synergy with Ennio Morricone's surreal music, Tonino Delli Colli's breathtaking cinematography and Joe D'Augustine's punctilious editing makes the movie, a treat to watch and ineffably unforgettable. Initially aimed to be a tongue-in-cheek satire on run-of-the-mill westerns, The Good, the Bad and the Ugly, continues to stand the test of time in its endeavor to attain apotheosis (if it hasn't attained it yet). It will always be remembered as European cinema's greatest lagniappe, not only to the Western genre, but to the world of cinema.

It's a must watch for any movie lover. 10/10


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