Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ... Written by
"Pitchfork" put at 32nd place the main theme of this film, composed by Ennio Morricone, on its list of The 200 Greatest Songs of the 1960s Quote from Pitchfork: "Film was the most important medium of the 20th century, and Ennio Morricone was among its chief architects. 'The Good, the Bad, and the Ugly' didn't simply reinvent soundtracks; it reinvented movies. For even the most uncouth audiences, the titular theme--hell, just the opening 'wah-wah-wah'--is synonymous with stoicism, murder, and pop-art delirium. Despite the Wagnerian crescendos and theatrical irony, every effect is critical and unforgettable: pacing boots, tribal flutes, flaring surf guitar, Indian war whoops, field-recording flotsam, meth-mangled trumpet solos. In just under three minutes, Morricone condenses all the greatest elements of music--from opera, garage, musique concrète, peyote songs, whatever--and layers it over stampeding horses and shotgun blasts. It's kaleidoscopic, exhilarating, and incontrovertibly badass. --Alex Linhardt". See more »
When Blondie says, "Your spurs," and shoots the last of the three ambushers in the hotel, the man falls backwards, knocking the wall and making it wobble. See more »
You're... from Baker?
[Angel Eyes is silent, eating a bowl of stew and staring at him]
Tell Baker that I told him all that I know already and I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins.
[Angel Eyes stops eating and looks interested]
Now that gold has disappeared, but if he'd listened we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more....
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often overlooked or belittled by so-called "film critics", GBU is a monumental influential masterpiece. everything works: music, photography, acting, dialogue, directing, etc. the cinematography and music stand out as legendary film history. who can forget the Morricone "whistles". or the harsh landscape united with a sweaty dirty super close-up of an unknown Italian actor. there's just too much to say about this landmark movie. what a combo: THE "spaghetti western", directed by an Italian, starring american leads, shot in Spain, and taking place in the barren American west. wow.remember, there's two kinds of people in this world, my friend, those who appreciate a masterpiece like GBU, and those who don't know much 'bout great movies!!!!!!!!
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