Edit
Storyline
The Divine D.D., a European actress known more for her bubble bath scenes than for her acting, decides she has had enough with bubble baths and wants to be taken seriously as an actress. So much so that she runs away during the middle of a scene while filming in Hollywood and winds up in Oregon. While she is staying in a hotel, the operator accidentally connects her with a real estate agent named Tom Meade. She asks Tom to bring her some food and when he does he suggests that she go to his cabin in the woods. She also asks him not to tell anyone where she is because she doesn't want to go back to Hollywood. Now Tom must keep the secret, especially from his wife and from his suspicious housekeeper Millie. Written by
Brian Washington <Sargebri@att.net>
Plot Summary
|
Add Synopsis
Taglines:
I'd like to report a man in my bedroom
See more »
Edit
Did You Know?
Goofs
In the opening scene, Lily (Phyllis Diller) is preparing dinner and setting the dinner table with white plastic plates. Later on when the family sits down to dinner the table is set with red china.
See more »
Quotes
Tom Meade:
[
to DiDi]
You're that dame - the biggest thing in bathtubs since rings.
See more »
Connections
References
Tom Jones (1963)
See more »
I write this review after having finished a private double feature of Bob Hope films. Being a big fan of Hope, I really wanted to like "Boy Did I Get A Wrong Number!" His 1960s films are generally considered by most cinephiles to be his weakest but I enjoyed "Bachelor in Paradise"(1961), "The Road to Hong Kong"(1962), "Critic's Choice"and "Call Me Bwana"(both 1963), none of which are regarded as among Hope's better works. Perhaps it's the fact that I watched it just after watching a vastly superior, funnier and well-written Bob Hope comedy called "Caught in the Draft"(1941), but I have to say this would-be attempt at bedroom farce/Hollywood celebrity spoof falls completely flat. What went wrong? Hope and his 2 main female co-stars(Elke Sommer and Phyllis Diller) have great comic ability, and George Marshall had previously directed top-notch Hope laughfests "Fancy Pants"(1950) and "Monsieur Beaucaire"(1950), but no amount of talent in the actors or director can make up for a leaden script which plays like a 98 minute extended rerun of "Three's Company." The comic timing which is so necessary for a film of this type to work is completely off. The funniest thing in the picture is Marjorie Lord's humongous hairdo and I don't think that was the intent of either her or the filmmakers. Even Hope's immediate predecessor film, the so-so "I'll Take Sweden"(1965) was more entertaining.
Hope fans should skip this one and watch a "Road" film or any of the above mentioned Hope films instead while Elke Sommer fans should watch "A Shot in the Dark"(1964) or "The Prize"(1963) in lieu of "Wrong Number!".
Bottom line: 3 of 10 with 1 point for each of the 3 leads only.