The Blue Max (1966)

Director:

John Guillermin

Writers:

Jack Hunter (novel)
Ben Barzman (adaptation) ...

Release Date:

21 June 1966 (USA)

Genre:

Adventure | Drama | War | Action

Tagline:

MIRACLES IN THE AIR!

Plot:

A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.

Plot Keywords:

Ambition | Fighter Pilot | Machine Guns | German Soldier | Color In Title

Awards:

Won BAFTA Film Award. Another 4 nominations

Cast

George Peppard	...	Lt. Bruno Stachel
James Mason	...	General Count von Klugermann
Ursula Andress	...	Countess Kaeti von Klugermann
Jeremy Kemp	...	Willi von Klugermann
Karl Michael Vogler	...	Colonel Otto Heidemann
Anton Diffring	...	Holbach
Harry Towb	...	Kettering
Peter Woodthorpe	...	Corporal Rupp
Derek Newark	...	Ziegel
Derren Nesbitt	...	Fabian
Loni von Friedl	...	Elfi Heidemann (as Loni Von Friedl)
Friedrich von Ledebur	...	The Field Marshal (as Friedrich Ledebur)
Carl Schell	...	Von Richthofen aka The Red Baron
Hugo Schuster	...	Hans. Elderly Servant
Alex Scott	...	The Orator

Runtime:

156 min | USA:153 min (FMC Library Print)

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

6-Track Stereo | 4-Track Stereo (magnetic prints) (Westrex Recording System) | Mono (optical prints) (Westrex Recording System)

Certification:

Canada:G (Quebec) | Ireland:12 (old rating) | Germany:12 (DVD rating) | Australia:PG | Finland:K-16 | Sweden:15 | UK:PG | USA:Unrated | West Germany:16 (f) | Singapore:NC-16 | Iceland:12

Filming Locations:

Dublin, County Dublin, Ireland

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The Irish Air Corps also lent their facilities at Casement Aerodrome (Baldonnel) to filming, however after filming, many of the aircraft replicas remained in storage between Casement and Powerscourt House, County Wicklow until the 1980's and were to be seen flying occasionally in the area.

Goofs:

Revealing mistakes: The German artillery pieces being towed by horses bounce and vibrate too lightly, indicating that they are probably wooden mockups.

Quotes:

Otto Heidemann: Yes, I understand - but I don't agree with killing helpless men!
General Count von Klugermann: Otto, this is 1918 - things have changed. Unrestricted submarine warfare, bombing of civilians, poison gas. Ask your wife - she's a nurse. Ask Elfi about the mustard gas casualties.
Otto Heidemann: So you approve of this kind of ruthlessness!
General Count von Klugermann: We fight to win, Otto.

Movie Connections:

Referenced in "Rowan & Martin's Laugh-In: (#2.19)" (1969)

The Definition of Class

At the beginning of The Young Lions Marlon Brando tells Barbara Rush how difficult it is to rise in class in Europe as opposed to America. It's one of the reasons he's thinking that Adolph Hitler and the Nazis will be a good thing for Germany.

George Peppard plays a more ruthless version of the Brando character in the previous generation in The Blue Max. He's a survivor of the trenches who gets an opportunity to learn to fly and transfer in the Air Corps. What comes with it is a commission and while Peppard is now an officer he's no gentleman.

There's a whole different ethic operating in the Air Corps. The pilots see themselves as an updated version of the Teutonic Knights of old. A view by the way shared by both sides. The fliers on both sides see themselves as old fashioned chivalrous sorts who glory in single combat. They are also upper middle class and aristocratic types and Peppard doesn't quite fit in.

You can put him in a biplane and give him rank, but his outlook doesn't change. What Peppard does see is that if he makes 20 confirmed kills he gets awarded the Blue Max decoration and his future and respectability is secure.

James Mason who commands the Flying Corps takes an interest in Peppard's rise. His political instinct tells him revolution is in the body politic. Make heroes out of someone like Peppard who would be part of the proletarian masses will help give those masses a vested interest in the Wilhelmine regime and would forestall revolution. Of course wife Ursula Andress has some different ideas about Peppard.

I like The Blue Max because it is a film about more than aviation. It is about what was happening in Germany during those last days of World War I when Germany was desperately trying to break the stalemate on the western front and pull out a victory before American troops were in sufficient numbers. They almost pulled it out in fact. It's about attitudes, old, new and changing. All three of the leads suit their roles perfectly.

As a veteran of World War I if he didn't gain the respectability out of the war he craved, Peppard would have been ripe for the Nazi propaganda that filled Germany and was finally heeded during the Depression. The Nazis filled their ranks with Peppards up and down Germany.

Which is why The Blue Max should be seen and learned from because it is not just about World War I aviators as good as the aerial footage is here.