After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together. Written by
This, along with L'Eclisse, is one of the two best Antonioni movies. It is very different from his earlier films in that it is much less overtly intellectual and is purportedly a thriller. However, it is no more a standard thriller than is The Cabinet of Dr. Caligari. Instead, it is an examination of reality and illusion and an exploration of what distinguishes the one from the other. The movie has an exceptional lyrical quality to it, which of course is also not associated with thrillers. The color is gorgeous and Vanessa Redgrave is a total surprise. I have generally not found anything appealing about her, but in this movie, master-magician Antonioni transformed her into a ravishing beauty. Sarah Miles is also very sexy as the next-door neighbor. Young Jane Birkin plays a groupie who gets to roll around nude in the photographer's backdrop paper. As in L'Eclisse, the final scene is stunningly poetic.
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