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Blow-Up (1966)

Blowup (original title)
Not Rated | | Drama, Mystery, Thriller | 18 December 1966 (USA)
A mod London photographer seems to find something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

Writers:

(story), (short story "Las babas del diablo") (as Julio Cortazar) | 3 more credits »
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3,982 ( 546)

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Nominated for 2 Oscars. Another 7 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
...
Jane
...
Patricia
...
...
Bill
...
The Blonde
Gillian Hills ...
The Brunette
...
Ron
...
Julian Chagrin ...
Mime
Claude Chagrin ...
Mime
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Storyline

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Sometimes reality is the strangest fantasy of all. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

18 December 1966 (USA)  »

Also Known As:

Blow-Up  »

Box Office

Budget:

$1,800,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

As a way of bypassing the Production Code (i.e. censors), MGM created "Premiere Productions". This was a dummy company which had no agreement or affiliation with the Production Code and, therefore, did not have to adhere to its standards. MGM did not have to cut the full frontal nudity or other sexually explicit scenes and maintained all rights to the film. When the film opened to rave reviews and excellent box office, this defeat was considered the final blow for the Production Code's credibility and was replaced with a ratings system less than two years later. See more »

Goofs

The photographer's haircut is different at Paul Samwell-Smith concert. See more »

Quotes

[first lines]
Mime: Give me your money. Do it.
See more »

Connections

Spoofed in Austin Powers: The Spy Who Shagged Me (1999) See more »

Soundtracks

Train Kept A - Rollin'
(uncredited)
Written by Tiny Bradshaw
Performed by The Yardbirds
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Frequently Asked Questions

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User Reviews

A confusing but thought provoking film!
17 April 2003 | by (San Diego, California) – See all my reviews

Antonioni was not a director that worried too much about people completely understanding his films. In fact I'd bet that he actually hoped they didn't understand everything. So I did not find it strange or surprising when after finishing the movie I felt quite confused. But the movie made me think for a very long time, which in my opinion is what a good film should do. There are so many aspects to this film that if you give them a chance and think about them, they will keep you reeling for hours on possible interpretations. The first and probably most important aspect of this film dealt with love. From what I have seen of his films, love is Antonioni's favorite subject. But this love was different than that of past films; it is much more shallow and un-centered. Thomas, the photographer, is surrounded by women, he goes from one to the next without thinking twice, treating them like dogs the entire time. But he can do this and get away with it because he is a famous photographer and can make the women what they all desperately want to be, Beautiful. For The first half of the movie I honestly did not like his character whatsoever. Whereas in the past the director has chosen mainly to explore the ups and downs of married life, or the problems of being hopelessly devoted to one person, he now points the camera at the single, care free, over sexed, youth of the sixties. Half an hour into the movie I found myself wondering what the heart of the film was going to be. We were introduced to Thomas and his world, but there seemed to be no conflict driving the story forward. Then came the quasi-murder mystery. This is what is really interesting and unique about this film in my opinion. Antonioni for a while leads us to believe that the movie is going to turn into some suspense thriller, or murder mystery, but never seems to quite get there. He has all the elements ready to go, but never follows through with them. He introduces this alluring and mysterious woman who is in on the murder and then never brings her back. The murder victim is discovered, but his identity is never revealed, nor a motive given for his murder. Thomas, after a very energetic and exciting photo investigation seems to not really care too much as to what happens with the investigations results, only telling a couple of his friends who couldn't care less. Antonioni seems to have used this whole murder mystery convention as some sort of glue to hold the rest of the real story together. The story of a mindless, beauty obsessed, celebrity idolizing, drug addicted, and violence obsessed culture. Probably my favorite scene in the film is after fighting over the piece of broken guitar with the other fans; Thomas just discards his prize as garbage. Something that kept bugging me was the antique shop. I kept wondering what in the world it had to do with anything in the movie; it stuck out like a sore thumb. But I knew it that there was some major purpose or explanation for its existence in the film, and then it just kind of clicked. Upon his first entry into the Antique store Thomas encounters an angry old man who we eventually find out is not the stores real owner, the true owner is a beautiful young woman who is planning to sell the old place and travel the world in search of something new. All this stuff she owns, the gold of past cultures, is old and useless now. She has a hard time making a living because nobody wants the stuff any longer. Here is where I think Antonioni's major message is hidden: That is the way life is, it moves on constantly, things change, people die, cultures evolve and the only thing that remains in the end is nature itself. Antonioni finishes the film beautifully, Thomas stands alone in a large field of grass, the only thing heard is the wind and the trees, as the camera backs away slowly, he disappears leaving nothing but the grass blowing in the wind, for like all the antiques and all the people that created them in the past, eventually Thomas's life will end and so will the current popular culture in which he takes part. Change is life's only constant.


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