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Blow-Up (1966)
"Blowup" (original title)

7.7
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Ratings: 7.7/10 from 34,690 users  
Reviews: 243 user | 93 critic

A mod London photographer seems to find something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

Writers:

(story), (short story "Las babas del diablo"), 3 more credits »
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Title: Blow-Up (1966)

Blow-Up (1966) on IMDb 7.7/10

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Nominated for 2 Oscars. Another 9 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
Jane
...
Patricia
...
...
Bill
...
Gillian Hills ...
...
Ron
...
Herself (as Verushka)
Julian Chagrin ...
Mime
Claude Chagrin ...
Mime
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Storyline

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Antonioni's camera never flinches. At love without meaning. At murder without guilt. At the dazzle and madness of youth today. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

18 December 1966 (USA)  »

Also Known As:

Blow-Up  »

Box Office

Budget:

$1,800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Thomas' workhorse camera was the then innovative Nikon F, the world's first 35mm SLR with full coupling of shutter and aperture with its exposure meter. Even though the particular model had been around since 1959, the glamorous publicity it received in the movie generated an unprecedented enthusiasm among camera buffs, professionals and amateurs alike. See more »

Goofs

The hawthorn is in bloom in the park one day and entirely missing the following morning, though still in full leaf. It is clear that the second "day" was filmed in midsummer, some weeks after the first. See more »

Quotes

[first lines]
Mime: Give me your money. Do it.
See more »

Connections

Referenced in Siskel & Ebert: The Movies That Made Us Critics (1990) See more »

Soundtracks

Stroll On
Featured and Composed by The Yardbirds
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Patience will be rewarded
7 June 2005 | by (Toronto) – See all my reviews

If you believe that the ending makes the movie, Blowup is for you. The first 30 minutes seem aimless and wandering, but they set up the main character and what is he is to discover about himself, about his occupation and about art in general. Antonioni builds tension (or frustration as you're watching it) not with plot, but with anti-plot. You want to scream at David Hemmings's character to: focus! screw those models! do something! But as the film unfolds you will see why Antonioni chose this actor, this profession and those girls. A wonderful manifesto about the dangers of voyeurism and what it does to a man's sexuality that is 40 years ahead of its time. The symbolism might get heavy handed at times (mimes, a broken guitar), but the sets are so full of creativity and the actors so beautiful (this will give my age away, but Vanessa Redgrave, who knew?) that you forgive Antonioni (he's Italian after all). Hemmings is Hugh Grant before Hugh Grant, but in this role at least, much more interesting. He's highly sexual, but unlike his painter roommate, his chosen art form represses him, all in the name of the shot. And when he finally gets the perfect shot in the perfect light, it's so perfect that someone steals it, and for good reason. Did those events actually take place or just through his camera lens? When the photos are the proof of what you see, then when that proof is taken away, did you see?


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