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A young woman is invited by her girlfriend, who lives in an English country mansion, to stay there with her. The estate, however, isn't quite what it seems--and neither is the friend who issued the invitation.
José Ramón Larraz
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
A cyborg is programmed to kill a scientist who holds the fate of mankind in his hands. He fails and hides in a diner in a desert run by a woman who likes him. The people who sent him are after him and so is the local arm wrestling champ.
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Just over 9 minutes were cribbed from "Portrait in Terror." Jack Hill shot all the new scenes with William Campbell and most of the beatnik footage, while Stephanie Rothman added all the vampire footage. See more »
It helps to watch Track of the Vampire after seeing Hill's cult film Spider Baby. Not that it helps it make more sense, it just warms you up to weirdness that doesn't always make sense or flow too well. I feel that much of the film could be jumbled around in a different order and possibly feel less like the patchwork it is, and making the main character into a vampire sure shows signs of forcing it all to fit. Many images in the film do command respect, the cut to the dry lake bed, the carousel, the endearingly overlong beach dance, and the comical Bucket of Blood-like scenes. I personally thrive on surreal imagery from the early 60's (Carnival of Souls, I Bury the Living, Night Tide) and this film contains some of my favorites. Still, a definate example of parts being more than the whole.
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