Dracula goes to the Old West and while riding on a stage learns that one of the passengers is on her way to meet her daughter at her ranch. Accompanying her is her brother who hasn't seen her daughter. Dracula the arranges for some Indians to attack the stage coach and kill everybody. He then assumes her brother's identity and plots to make her daughter his mate. When he shows up he meets the girl who introduces him to her fiancé, William Bonney aka billy the kid, who has reformed. When a European family who had earlier encountered Dracula decides to protect the girl and warns Billy of the danger. Billy then wonders if the man is her uncle. And it doesn't help that no one believes him and the ranch's former foreman is doing what he can to discredit Billy. Written by
At many points in the film, "Mrs. Oster" (Virginia Christine) is called "Mrs. Olson", the character she made famous in the Folger Coffee Commercials - hardly enough reason for director "One-Shot" Beaudine to stop the cameras. See more »
This is uttered by Virginia Christine (the alluring Anaka in 1945's THE MUMMY'S CURSE) when Melina Plowman tells her that her "uncle" casts no reflection in the mirror. Another pithy line of dialogue, one you'd never expect the legendary vampire to make, is (to his "niece") "Marry a notorious gunslinger? I won't hear of it!" Carradine as Dracula comes across as merely a crochety, vaguely sinister, eccentric uncle with an elitist attitude against immigrants. The actor frankly seems in his, uh, cups, but do you blame him? On the other hand, Chuck Courtney brings a surprising believablity and bantamweight handsomeness and likability to Billy the Kid; he looks somewhat like Audie Murphy, which also helps. Melinda Plowman as Dracula's object of lust, looks like one of those Noxema girls from the 1960's t.v. ads for that skin cream. The strings on the shlocky flapping rubber bat are clearly visible, oh, what joy! Right from someplace like "Eddie's House of Horrors" on Hollywood Boulevard, probably where they also got that shiny big red bow for Dracula.
Another source of delight is the wide eyed, dopey, open mouthed look of stupefaction and wonder on the young German girl's face as she realizes who Carradine is. The old female doc is played straight, and there is something appealing about the dusty, Hollywood/old Wild West 101 atmosphere, with its pleasantly juvenile shootin', fightin' and ranchin' atmosphere, oddly made more pleasant by the juxtaposition of the silly and cheesy vampire-comes-to-town-to-stir-up-the-locals story. This movie is best enjoyed either in a "matinee" time frame, say around 2 p.m. on a Saturday afternoon, or at 2 a.m. that same night.
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