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Directed by | |||
| John Huston | |||
Writing credits | ||
| Christopher Fry | (screenplay) | |
| Mario Soldati | uncredited | |
| Orson Welles | uncredited | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
| Luigi Luraschi | .... | associate producer | |
Original Music by | |||
| Toshirô Mayuzumi | (musical score) (as Toshiro Mayuzumi) | ||
| Ennio Morricone | (uncredited) | ||
Cinematography by | |||
| Giuseppe Rotunno | (director of photography) | ||
Film Editing by | |||
| Ralph Kemplen | |||
| Alberto Gallitti | (uncredited) | ||
Casting by | |||
| Guidarino Guidi | |||
Art Direction by | |||
| Mario Chiari | |||
Costume Design by | |||
| Maria De Matteis | |||
Makeup Department | |||
| Alberto De Rossi | .... | makeup supervisor | |
| Elda Magnanti | .... | hairdresser | |
Production Management | |||
| Bruno Todini | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Vana Caruso | .... | assistant director | |
| Ernst Haas | .... | second unit director (segment "The Creation") | |
| Ottavio Oppo | .... | assistant director | |
Art Department | |||
| Bruno Avesani | .... | set dressing | |
| Enzo Eusepi | .... | set dressing | |
| Stephen B. Grimes | .... | associate art director (as Stephen Grimes) | |
| Aldo Puccini | .... | set construction | |
| Pasquale Romano | .... | assistant art director | |
| Mario Scisci | .... | set construction | |
| Tani | .... | property master | |
| Luciano Puccini | .... | assistant set decorator (uncredited) | |
| Italo Tomassi | .... | scene painter (uncredited) | |
Sound Department | |||
| Basil Fenton-Smith | .... | sound recordist | |
| Leslie Hodgson | .... | sound editor | |
| Fred Hynes | .... | sound recording supervisor | |
| Murray Spivack | .... | sound recordist | |
| John Blunk | .... | sound effects editor (uncredited) | |
| Wayne Fury | .... | sound effects editor (uncredited) | |
| Marvin Walowitz | .... | sound effects editor (uncredited) | |
| James D. Young | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Zeus LaNero | .... | special projector: sun effects | |
| Augie Lohman | .... | special effects | |
Visual Effects by | |||
| Linwood G. Dunn | .... | special optical effects: Film Effects of Hollywood (as Linwood Dunn) | |
Camera and Electrical Department | |||
| Giuseppe Di Biase | .... | first assistant camera (as Pino Di Biase) | |
| Giuseppe Maccari | .... | camera operator | |
| Piero Servo | .... | assistant camera | |
| Donald C. Rogers | .... | photographer: second unit (uncredited) | |
Editorial Department | |||
| Eunice Mountjoy | .... | assistant to film editor | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
| Gilbert D. Marchant | .... | music editor (as Gilbert Marchant) | |
| Murray Spivack | .... | music recordist | |
| Goffredo Petrassi | .... | musical advisor (uncredited) | |
Other crew | |||
| Yvonne Axeworthy | .... | script girl (as Yvonne Axworthy) | |
| Romano Dandi | .... | production assistant | |
| Dino De Laurentiis | .... | presenter | |
| Katherine Dunham | .... | choreographer | |
| Monsignor Salvatore Garofalo | .... | consultant (as Mons. Salvatore Garofalo) | |
| Gladys Hill | .... | associate: John Huston | |
| Angelo Lombardi | .... | zoological consultant | |
| Prof. The Rev. W.M. Merchant | .... | consultant (as Professor the Rev. W.M. Merchant) | |
| Giorgio Morra | .... | production assistant | |
| Ralph Serpe | .... | assistant to producer | |
| Fred Sidewater | .... | assistant to producer | |
| Emilio Villa | .... | historical advisor (uncredited) | |
Thanks | |||
| Mirko Basaldella | .... | acknowledgment: Dino De Laurentiis and John Huston wish to thank the following artists for their co-operation (as Mirko) | |
| Corrado Cagli | .... | acknowledgment: Dino De Laurentiis and John Huston wish to thank the following artists for their co-operation | |
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| Noah's Ark | Solomon and Sheba | Jesus | The Belly of the Beast | The Ten Commandments |
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Seemingly eposodic, there is little segue between the "stories." Even the title is misleading, since this film only covers from Creation through the story of Abraham - the first 22 chapters. But if the whole book was made into a movie it would be 162 hours at this rate. Too long for most audiences! (Hint - hint - miniseries).
Most of the acting comes across as stilted, except Huston, who's tongue-in-cheek portrayal of Noah wavers between refreshing and cloying. The highly touted "nude" scene of Adam and Eve may have raised a few eyebrows in 1966 but seems pretty tame by today's standards thanks to a few well-placed fern fronds. Scotts's rendering of patriarch Abraham was strong but uninspired.
This pic is adequate if you're not looking for in-depth religious interpretations. More could have been done with characterizations, but in the time given, was satisfactory. Just watch and enjoy for its face value.