In 1865, Timothee, a wanderer, arrives in a village in southern France pretending he is deaf and mute. There, he is struck by the beauty of a young woman, Josephine, and asks for ... See full summary »
Isild Le Besco,
Nahuel Pérez Biscayart,
L'Alpagueur is a free-lance spy from the French secret agency. He's put on the investigation about L'epervier, a serial-killer who employs young boys to help him robbing banks before ... See full summary »
The life of four best friends in Paris: Antoine (a gym school teacher), Jeff (director of a monthly journal), Alex (Jeff's associate in the monthly journal and a Don Juan) and Manu (owner ... See full summary »
Zany collection of misfits led by aging military man (Terry-Thomas) go on a spree of robbing mink coats. An unlikely trio of women (Athene Seyler, Hattie Jacques, and Elspeth Duxbury) find ... See full summary »
In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.
An unsatisfied woman in her late 30s dreams about stealing the big cash and leaving the country. She meets a petty criminal ten years her junior who has the thing for her, and she asks herself is he the only true love of her life.
During the mountain-road chase scene, the outside right brake light on the blue '64 Chevy is burnt out as it rounds one curve...but is then burning brightly and in good repair when the car pulls up on the truck crash. See more »
Failed Hitchcock imitation at least has a jaunty Randall and scintillating Berger...
British-made film (released under a variety of different titles around the world) involves Tony Randall as an American hotel-builder, newly-arrived in Morocco, who becomes involved in a $2M plot to change votes at the United Nations. Despite poster art designed to look like a spy spoof (with Randall an unlikely substitute for James Bond), this minor, droll offering is more in keeping with the latter-day Hitchcock films ("North by Northwest", in particular), with the dryly-resolved star getting deeper into hot water with every plot turn. Senta Berger is a very attractive mystery woman, and she matches up surprisingly well with Randall (grounded and more affable than usual), but the supporting cast of old pros is never given anything especially exciting to do. Director Don Sharp, working from a wayward, rudderless screenplay by Peter Yeldham, does some keen work, yet the finale is confusing instead of suspenseful, and the overall air of familiarity is wearing. ** from ****
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