Comedy about the proverbial genie who comes out of a bottle (a table lamp in this instance) to serve his new master. The only problem is that instead of helping his master, the genie (Burl ... See full summary »
Legend has it that if the famous Barbary Apes leave the Rock of Gibraltar, it's a sign that the British will lose control of it. During World War II, a British officer is put in charge of ... See full summary »
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly ... See full summary »
Phineas T Barnum and friends finance the first flight to the moon but find the task a little above them. They attempt to blast their rocket into orbit from a massive gun barrel built into ... See full summary »
Adventurer and treasure hunter Mike Yates is hoping to find a cache of Incan treasure lost in the Amazon jungle. While looking for his missing partner, he stumbles across a beautiful jungle... See full summary »
Robert Walker Jr.,
During the mountain-road chase scene, the outside right brake light on the blue '64 Chevy is burnt out as it rounds one curve...but is then burning brightly and in good repair when the car pulls up on the truck crash. See more »
A reasonable facsimile of Alfred Hitchcock and Cary Grant
BANG BANG YOU'RE DEAD aka Our Man In Marrakesh seems a low budget homage to the talents of director Alfred Hitchcock and actor Cary Grant. Imagine, if you will, a blending of THE MAN WHO KNEW TOO MUCH and NORTH BY NORTHWEST, and you might have BANG BANG.
Tony Randall is very appealing as the much harried, put upon innocent who is caught up in a series of misadventures (his character Jessel actually says something like "We're suspected of being murderers, and we're being chased by murderers"). Randall is certainly not someone you would cast as the romantic lead, but you can readily accept that he and Senta Berger will become lovers.
Ms Berger's characters is very fond and adept at telling lies, and shaping the truth as she sees fit. She does it well, and is charming, and everyone likes her, not least the wily Arab truck driver Achmed (Gregoire Aslan), who twice saves the couple.
I had mistaken Margaret Lee for another Italian starlet but apparently she was born in Wolverhampton, England in 1943. She plays the sex kitten very well, and again, has some good lines.
The script is actually very good, the dialogue especially, with more memorable lines than I expected. The line-up of character actors is also fine, though Klaus Kinski's thug is nowhere as effective as the one he displayed in GRAND SLAM.
Locations are well chosen, the action good for its day, and the music by Malcolm Lockyer (someone who doesn't seem to have worked much in film) catches the flavour of Marrakesh, Morocco.
All in all, highly recommended (If you can find it!)
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