Mouchette is a young girl living in the country. Her mother is dying and her father does not take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One ... See full summary »
A forged 500-franc note is cynically passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is - which will have ... See full summary »
Sylvie Van den Elsen,
A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of ... See full summary »
A young woman kills herself, leaving no explanation to her grief-stricken pawnbroker husband. We learn in flashback about how they met, married, and how she failed to adapt her lifestyle to... See full summary »
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Henri de Maublanc
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Laura Duke Condominas,
This is the story of a donkey and the somewhat difficult life it leads. During a summer holiday, the baby donkey is a child's pet but when they return home, it begins it's life of misery. It works as a farm animal, pulling a delivery cart and working as any manner as various owners require of it. Meanwhile, the young girl who first acquired Balthazar as a pet grows up, only to be badly treated herself by an indifferent and selfish boyfriend. Written by
The "for Sale" sign that is on the fence when Balthazar runs through the gate is different to the one seen in close-up. Also, when he runs through the gate, the sign is in shadow but in close-up it is in full sun. See more »
During the nineteenth century ,the comtesse de Segur wrote a novel for the children called "memoirs of a donkey" .A very pious writer,she chose the donkey as a symbol of humility...as Robert Bresson did I suppose.The very first pictures of the movie,with the children,"christening" the donkey ,might be a nod to the writer whom the young Bresson,like all his generation must have read when he was a young boy."Au hasard Balthazar " is an updated version of "les memoires d'un ane" ,but a very austere story:although Bresson's work enjoys a very high rating on the site,I must say that it's not for all tastes.I cannot imagine,say, a "matrix" fan getting enthusiastic about it.
Bresson's actors are non -professionals -with the exception of Anne Wiazemski,but it was her debut;then she became the par excellence intellectual actress,for the likes of Godard,Tanner and Garrel,all directors that easily make me yawn my head off-,but do not expect a "natural "performance.I hope the non-French speaking who wrote a comment saw the movie in French with English subtitles.Dubbed in another language ,Bresson's works lose a lot of their originality.Because the actors speak in a distant voice,in a neutral style as if they were reciting Descartes's "the Discourse on Method".They never show any emotion,even through their darkest hour (not even after the heroine's rape).
Bresson films his human characters as if they were Martians ,and his sympathy for the donkey is the only pity he has to give us.This beast of burden seems to carry on its back all the sins of the world,and his route is a calvary.A woman says "this donkey is a saint" .
Bresson showed us the Beast in Man and the Man in Beast.
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