IMDb > Aroused (1966)

Aroused (1966) More at IMDbPro »


Overview

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6.0/10   80 votes »
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Director:
Writers:
Anton Holden (screenplay) &
Ray Jenkins (screenplay) ...
(more)
Contact:
View company contact information for Aroused on IMDbPro.
Release Date:
January 1966 (USA) See more »
Genre:
Tagline:
Shocking! A Blast of Explosive Desires! See more »
Plot:
In Manhattan, prostitutes are being murdered by a psycho. A detective is assigned to track him down and bring him in. | Add synopsis »
User Reviews:
Another Great Nihilist NY-lensed Sex Roughie! See more (7 total) »

Cast

  (in credits order) (complete, awaiting verification)

Directed by
Anton Holden 
 
Writing credits
Anton Holden (screenplay) &
Ray Jenkins (screenplay)

Anton Holden (story) &
Richard B. Shull (story) (as Richard Shull)

Produced by
Lee Hessel .... associate producer
Ray Jenkins .... producer
 
Original Music by
Edmund Mitchell 
 
Cinematography by
Gideon Zumbach (director of photography) (as Anibal Paz)
 
Film Editing by
Anton Holden 
 
Production Management
Lisa Schwartz .... unit production manager
 
Sound Department
John Fodor .... sound
 
Camera and Electrical Department
Dallas Garvin .... head grip
Ray Jenkins .... director of photography: exteriors
Bob Morton .... camera operator
 
Editorial Department
Mark Rappaport .... assistant editor
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
78 min | USA:74 min (DVD)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:

Did You Know?

Movie Connections:
References Jack the Ripper (1959)See more »

FAQ

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9 out of 12 people found the following review useful.
Another Great Nihilist NY-lensed Sex Roughie!, 29 March 2000
Author: Son of Cathode from New England

A sicko in a suit kills bad chicks, then has sex with them. A typically depressing b/w NY "roughie" has lots of no-sound segments with bad jazz, cool city locations, lots of long street-walkin' scenes with hookers and (police) dicks, along with unusually well-drawn characters for a skid-row quickie, sleazy hostile johns, psychotic bartenders and hookers with heart. This flick is full of cool, tangential scenes, like a hooker-lesbian's long-winded exposition, and a great scene where man and wife both flirt with cheating (the man falls, the wife don't). In the end, the deceased hookers' pals gang up on the killer ala "I Spit on Your Grave" and give him his own medicine, and the Freudian symbology comes full circle: the killer, who was driven to crime by an abusive slut-mother, finds surrogate mothers to abuse, and who eventually kill the little boy in him, which is what he always wanted. All in all a cool flick about a subterranean world of Damon Runyonesque losers like one might stumble upon at the Oyster Bar at Grand Central. An ironic Times Square sign mocks the raincoat-hugging audience: "Get more out of life; Go to a Movie!"

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