| Photos (See all 15 | slideshow) |
| Gregory Peck | ... | Prof. David Pollock | |
| Sophia Loren | ... | Yasmin Azir | |
| Alan Badel | ... | Beshraavi | |
| Kieron Moore | ... | Yussef Kasim | |
| Carl Duering | ... | Hassan Jena | |
| John Merivale | ... | Maj. Sylvester Pennington Sloane | |
| Duncan Lamont | ... | Webster | |
| George Coulouris | ... | Ragheeb | |
| Ernest Clark | ... | Beauchamp | |
| Harold Kasket | ... | Mohammed Lufti | |
| rest of cast listed alphabetically: | |||
| Michael Bilton | ... | Camera Shop Owner (uncredited) | |
| Windsor Davies | ... | Policeman in Car Crash (uncredited) | |
| Jimmy Gardner | ... | Hemsley (uncredited) | |
| Gordon Griffin | ... | Fanshaw (uncredited) | |
| Harry Locke | ... | (uncredited) | |
| Malya Nappi | ... | Ragheeb's Wife (uncredited) | |
| James Payne | ... | Driving the Kidnap Lorry (uncredited) | |
| Robert Rowland | ... | Taxi Driver (uncredited) | |
| Larry Taylor | ... | Beshraavi's Henchman (uncredited) | |
Directed by | |||
| Stanley Donen | |||
Writing credits | ||
| Julian Mitchell | (screenplay) & | |
| Stanley Price | (screenplay) & | |
| Peter Stone | (screenplay) (as Pierre Marton) | |
| Gordon Cotler | (novel "The Cypher") | |
Produced by | |||
| Stanley Donen | .... | producer | |
| Denis Holt | .... | associate producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Christopher Challis | |||
Film Editing by | |||
| Frederick Wilson | |||
Art Direction by | |||
| Reece Pemberton | |||
Makeup Department | |||
| W.T. Partleton | .... | makeup artist | |
Production Management | |||
| David W. Orton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Jordan | .... | second unit director (as John M. Jordan) | |
| Eric Rattray | .... | assistant director | |
| Stuart Black | .... | third assistant director (uncredited) | |
| Terence A. Clegg | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill Dennison | .... | draughtsman (uncredited) | |
| Roy Dorman | .... | draughtsman (uncredited) | |
Sound Department | |||
| C. Le Mesurier | .... | sound mixer (as C. Le Messurier) | |
| John W. Mitchell | .... | sound mixer | |
| Don Sharpe | .... | dubbing editor | |
| Archie Ludski | .... | additional dubbing editor (uncredited) | |
Special Effects by | |||
| Wally Armitage | .... | special effects foreman (uncredited) | |
| Jim Hole | .... | special effects supervisor (uncredited) | |
| Garth Inns | .... | special effects technician (uncredited) | |
| Jimmy Ward | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Charles Staffell | .... | back projection (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | horse stunt double: Gregory Peck (uncredited) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Pam de Boulay | .... | stunt double: Sophia Loren (uncredited) | |
| Jimmy Lodge | .... | stunt coordinator (uncredited) | |
| Jimmy Lodge | .... | stunt double: Gregory Peck (uncredited) | |
| Jack Silk | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Austin Dempster | .... | camera operator | |
| Colin Corby | .... | focus puller (uncredited) | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
Editorial Department | |||
| Thom Noble | .... | assistant editor (uncredited) | |
Music Department | |||
| Douglas Gamley | .... | orchestrator (uncredited) | |
| Richard Nash | .... | musician: trombone soloist (uncredited) | |
| John Scott | .... | musician: flute, saxophone (uncredited) | |
Other crew | |||
| Maurice Binder | .... | title designer: main title | |
| Arthur Carroll | .... | production executive | |
| Constance Willis | .... | continuity | |
| Jean Hall | .... | production secretary (uncredited) | |
| Maurice Landsberger | .... | production accountant (uncredited) | |
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| Thunderball | On Her Majesty's Secret Service | Marie Galante | National Treasure: Book of Secrets | The 39 Steps |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
If I had the impossible task of naming one film as "My Favorite Most Enjoyable Movie" this and it's bookend, "Charade," would be it.
It is Stanley Donen's near perfect blend of Alfred Hitchcock meets James Bond. Donen made two simply wonderful films in the Hitchcock mold. The first was Charade in 1963 with Cary Grant and Audrey Hepburn. Arabesque is the second. They make a marvelous bookend set.
Both films are light, breezy and loaded with wit and humorous dialog. Both feature classic Henry Mancini scores, stylish female ward-robing by the likes of Givenchy and Christian Dior and both feature memorable titles by 007's legendary title master, Maurice Binder.
But it's Arabesque's wildly inventive cinematography which sets it apart from virtually every other action film. The cinematography is pure art school. It's amazingly inventive use of reflection and shot within a shot camera work is what first interested me in the art of cinematography as a teenager. The cinematography in Arabesque fascinates me and entertains me no end to this day.
Gregory Peck's square yet hip college professor plays perfectly with Sophia Loren's chic spy - and Sophia was never more flat-out stunning. Wow! Check out Arabesque. It's two hours of great fun.